Episode 16

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Published on:

18th Sep 2026

Field of Dreams - Making Grown Men Cry Since 1989

We argue that Field of Dreams isn't really about baseball or fathers so much as the elaborate lengths men will go to instead of just going to therapy, and it all starts with Robby who has cried through it on his birthday every year for more than thirty years.

EPISODE SUMMARY

We believe Field of Dreams isn't really about baseball, or farming, or even fathers and sons in the way you'd expect. It's about what men will do to avoid going to therapy. Robby has watched it on or near his birthday for more than thirty years and still cries every time. Jaclynn only saw it as a baby, so it's effectively new to her, and she didn't even know the famous line right. Our guests are Joe Connor (Mr. Sports Travel) and Patrick Fleming, and this one gets more emotional than a group of people talking about a cornfield has any right to. Patrick's late father, Mike Fleming, was a Triple-A umpire everyone expected to make the majors until he went home to Iowa at 23 to run the family printing company. That is Archie "Moonlight" Graham's story all over again: two men at the edge of the big leagues who gave it up for someone else.

WHERE TO WATCH

Streaming availability as of 2026-09-18.

New To The Show?

New episodes of The Arc arrive roughly once a week, but they are ephemeral beings that sometimes take longer; you're encouraged to start from the beginning with Episode 01: The Princess Bride.

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A Long Summary

Field of Dreams is the 1989 movie where Kevin Costner hears a voice in his Iowa cornfield, plows under his crop to build a baseball diamond, and watches the ghosts of banned White Sox players walk out to play, including Shoeless Joe Jackson, and eventually his own late father, young again and asking for a catch. It is, on paper, a movie about baseball. It is also a movie about farming, and about kidnapping a reclusive author, and about a small-town doctor who gave up his one shot at the majors. None of that is what it's actually about, which is the thing Robby has known since he was 20 or 21 and cried, unexpectedly, the first time he saw it with a college friend who shared his birthday. He's watched it on or near his birthday almost every year since, more than thirty of them now, and he brought it here, which makes this his birthday movie and, fairly, makes him the star of it.

What we found is that Field of Dreams makes men cry, and it makes them cry at their keyboards: when we went looking for baseball experts to explain why the game matters, we got back dozens of very macho men writing in, choked up, needing to talk about this film. Two of them are here. Joe Connor has seen live sports in 176 countries and finished all 30 major-league parks the year his father died, in his memory. And Patrick Fleming, an Iowan and an indie musician, wrote Cole an email, read aloud in full, about his father Mike, a Triple-A umpire whose school booklet said "Mike will go all the way." Mike didn't. His own father died, and at 23 he went home to run the family printing company while every one of his umpire-school friends made the majors. Archie "Moonlight" Graham, in the movie, is that exact story: one at-bat away, then a small-town doctor for the rest of his life. Mike Fleming and Moonlight Graham lived the same life, and now the Little League fields Patrick grew up on are named Mike Fleming Field, his family's little field of dreams.

One of the hosts argues that the movie melts people because it lets a man have closure with a dead parent, and that closure only exists in fiction, which is what fiction is for. Another host pushes back that you don't even need the closure; you just need to watch someone you loved live out their happiest moment and get to stand in it with them. Somewhere in there we argue, at genuine length and without resolution, over whether James Earl Jones's character walks into the corn to die or to become a ghost or just to go look around and come back and write about it; one of us is very sure he's fine. We also take a hard look at what the movie asks of Costner's wife, at how much a very handsome man gets away with, at whether following your dream at all costs is exactly how we got where we are, and at the fact that the cars flooding in at the end were real Iowans answering a call on the radio, flicking their brights on and off so it would look like more of them. You do not have to have seen the film to follow any of it. But by about five minutes in, you'll want to have a catch.

WHAT WE DISCUSS

01:23 - WHO BROUGHT "FIELD OF DREAMS" AND WHY?

Robby brought this one, because it's his birthday movie. He has watched it on or near his birthday almost every year since he was 20 or 21. It started in college, watching with a friend named Mark, when Robby cried without warning at the "want to have a catch" moment. He was shocked by his own reaction. So he watched it again the next year, and the year after that.

07:55 - PATRICK'S EMAIL ABOUT HIS FATHER

Patrick Fleming reads us the email he sent Cole before the taping. His father, Mike, was a professional umpire everyone thought would go all the way to the majors. Then Mike's own father died suddenly, and at 23 he went home to Iowa to run the family printing company. Patrick draws the line straight to Moonlight Graham: two men at the edge of the big leagues who gave it up for someone else. Today, the Little League fields Patrick grew up on carry his dad's name.

20:57 - ROBBY READ LITERALLY ALL OF HIS NOTES ON FIELD OF DREAMS

Robby has seen this movie more than 40 times, and he brought notes. We let him read them, scene by scene: the three times Ray hears the voice, Ray's fear of turning into his own father, the PTA meeting over the Terence Mann book. It's not a review. It's a man showing us how much he loves a movie.

23:50 - ROBBY CRIES

And then Robby cries, right in the middle of the moment Ray's father shows up and the catch begins. We talk about what got to him, and about realizing your parents are their own people, which brings us right back to Patrick's dad.

28:41 - SONS MATCHING FATHERS

Patrick tells us his father never got a traditional retirement, because he worked until he died. But he got a version of the dream in his 20s, traveling to games with his umpire friends, and Patrick compares that to his own years touring as a musician at 30. Then we turn to the ending and that sudden line of cars headed for the ballfield. It doesn't quite make sense. It works anyway, because the movie tells us it will happen and asks us to go along.

33:48 - TERRENCE MANN IS A GHOST

We talk about how the film makes small, deliberate choices, including a long cross-country drive that bonds Ray and Terence Mann without showing us most of what they say. Then we get lost in a real argument: when Terence Mann walks into the cornfield, does he die, become a ghost, or just look around and come back? One of us is very sure he's fine. The rest of us aren't buying it.

41:06 - THIS MOVIE IS SO MIDWESTERN

Everyone in this movie meets the impossible with calm, polite understatement, and we decide that makes it very Midwestern. One of us shares a story about saying a blandly cheerful "oh, cool" to someone whose job was scooping eyeballs out of corpses, which proves the point. We wonder what else makes it feel so Midwestern, and land on its father and son heart.

43:23 - ARCHIE MOONLIGHT GRAHAM'S STORY WRAPS UP WITH PATRICK'S DAD

We come back around to Patrick's dad. His umpiring career was cut short, and a Little League field back home was renamed Mike Fleming Field in his honor. It's the other half of Moonlight Graham's story, and it leads us back to Ray and the catch he and his own father never had.

CHAPTERS / TIMESTAMPS

0:00 - COLD OPEN

1:23 - WHO BROUGHT "FIELD OF DREAMS" AND WHY?

2:27 - WHAT'S THE NUMBER ONE THING WE WANT TO SAY ABOUT "FIELD OF DREAMS"

5:17 - WHAT SHOULD YOU KNOW GOING INTO "FIELD OF DREAMS"

6:35 - A VERY FUNNY INTRODUCTION OF PATRICK

7:55 - PATRICK'S EMAIL ABOUT HIS FATHER

10:14 - WHEN WERE WE IN AND OUT OF "FIELD OF DREAMS"

13:42 - JOE HAS VISITED EVERY BASEBALL STADIUM IN THE US

20:57 - ROBBY READ LITERALLY ALL OF HIS NOTES ON FIELD OF DREAMS

23:50 - ROBBY CRIES

28:41 - SONS MATCHING FATHERS

30:42 - HOW THEY GOT THE TRAFFIC JAM IN "FIELD OF DREAMS" BEFORE CGI

33:48 - TERRENCE MANN IS A GHOST

41:06 - THIS MOVIE IS SO MIDWESTERN

43:23 - ARCHIE MOONLIGHT GRAHAM'S STORY WRAPS UP WITH PATRICK'S DAD

FUN FACTS / PRODUCTION TRIVIA

The corn grew almost too well, so when Costner first hears "If you build it, he will come," he had to walk onto a foot-high platform. [Source]

The famous line everyone quotes as "if you build it, they will come" is actually never said in the film, what it's actually saying is "If you build it, he will come."

The emotional final shot of an endless line of headlights heading toward the field wasn't a visual effect at all; the scene was filmed with the help of local Iowans, with thousands of Iowa residents lined up in their cars on the road to the farm, tuning into a local radio station for the director's instructions. To sell the illusion of a growing crowd, town residents drove up to the field with their headlights on, then drove away with their headlights off to make it look like more and more people kept arriving.

James Earl Jones almost turned down the role entirely, it was his wife who convinced him to accept the role of Terence Mann, though she warned him the long baseball speech would end up cut from the film, a speech that instead became one of the movie's most quoted moments.

The film's title wasn't the original plan. It was originally supposed to be titled "Shoeless Joe" like the novel, but that title tested poorly, with audiences thinking it referred to a hobo or that Costner was playing a homeless man, prompting Universal to switch it to "Field of Dreams" instead.

WHAT THEY DID NEXT

Phil Alden Robinson, who wrote and directed Field of Dreams, went on to write Sneakers and direct The Sum of All Fears, among other projects.

EXTERNAL RECOMMENDATIONS

If you want to keep digging into this one after the episode, a few other stops are worth your time. The Film Stories podcast's 200th episode actually landed an interview with writer/director Phil Alden Robinson himself, who candidly tells the story of how the film came together, the challenges they faced, and its legacy, a rare conversation since he doesn't do many interviews. For a more debate-driven take, the Best Film Ever podcast digs into how the film taps into themes of regret, reconciliation, and belief while also wrestling with whether it's overrated.

RELATED ARC EPISODES

New to The Arc? Start with Episode 01: The Princess Bride .

SOUND DESIGN ATTRIBUTION

Sound design via Freesound.org and Envato.

Transcript
Speaker:

There's so much to say.

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And neither knows how to say it.

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They're sharing little moments,

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and they're about to hold off.

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It's so fucking beautiful.

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It really is.

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I have just created something

totally alive.

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Circle. Him. You melded.

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You will come.

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If you feel what is him

and that happens to

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is your invoices.

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Ray is.

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Did you hear the voice two?

Did you hear it?

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Go the distance?

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This field.

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This game.

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reminds us all that once was good.

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Hey, is this heaven? No.

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It's Iowa.

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I have been in, in situations

and I've met people

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who who don't like baseball at all.

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I find it incredibly boring and therefore

they just won't take it at all

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seriously because, you know, they want to

or they won't give it a chance.

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And I mean, this is a different situation

because we bring movies to each other

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and we understand, like

these are meaningful experiences to us.

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But like, if, you know,

if you just talk like, oh the baseball

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It may be obvious to

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anybody who knows it is Virgo season,

but who?

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Moran's field of dreams and why?

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The person who's watched it

for 34 years on their birthday brought it.

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Yeah.

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I brought it because this is the movie

I've watched almost every year

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since I've turned. It was either 20 or 21.

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But for the most part, I watch it either

the night before or the day of. Why?

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So when I was in college,

I had this friend named Mark Charity,

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and he and I had the same birthday,

he was the first friend I made there.

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when I saw it with Mark

when he asked his father

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if you wanted to have a catch,

I inexplicably started to cry.

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Inexplicably,

I feel like that's the whole crying point.

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Yeah.

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it was the way he said it.

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It was the way his voice choked up

that I was like, I was.

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I was a puddle. so. Oh.

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So I was really shocked

by my response to it. So.

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And we did it again this the next year And

then, and then I just started to do it.

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Field

of Dreams moves at the speed of baseball.

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to achieve something truly poetic.

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Field of dreams is a movie

that is dripping

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in sentimentality,

but in the best possible way.

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Field of dreams doesn't shy away

from how complicated love is,

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but it's smart enough to not hit us

over the head with it either.

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Field of dreams is an enormous test of.

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Do you have any childlike

wonder left in you?

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it isn't like I'm watching my relationship

with my father play itself out.

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It's the way the movie works is so magical

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that it gets to that point and I'm

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I'm I'm a blubbering mess. I'm.

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You can tell

when somebody is writing an email

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and they're crying

while writing the email.

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I know you can't see their faces,

but you can tell

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when somebody is writing an email

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and they are crying

while they were writing you.

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The email.

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I agree, I was like,

it's a movie about baseball, but it's not.

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It's about building a field, but it's not.

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We don't even see it.

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The field just goes up and looks gorgeous.

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It's about farming,

but it's definitely not.

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You know,

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it's like,

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how does this man who's never owned

a farm, who then, like, leveled

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half of it has have the most gorgeous corn

you've ever seen?

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But they're also still broke and, like,

are they even harvesting it?

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Because it is,

it's like gorgeous and like,

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they have all this caught,

but they're they're bankrupt.

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But it's because, like, are they not like

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picking their

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corn like, and yeah, it's

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about fathers and sons, but it's not like

we don't even see the dad as dad.

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We see a dad is a young man,

and only at the end.

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which is like a really strange

framing to have a whole film on.

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So it's like about that,

but it's also not about that.

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When I was a kid, I was a huge Detroit

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Tiger fan,

My dad had grown up watching the Tigers.

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It's.

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He took my brother

and I to, to the games,

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and we we watched and listened to it

on the radio all the time.

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And I would

I would just go to baseball diamonds

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and hang out and wait for games to start

or or or play with my friends.

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You know.

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I just loved playing it.

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I love the way the game looks.

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I like baseball diamonds.

I just really like to be around it.

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when I was a kid,

I lived and breathed that.

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And then after I became interested

in theater, I sort of dropped it.

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Like I dropped off.

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I think in 1994, I read a book

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called October 1964,

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I read this book, and it exposed

this really human side to the game.

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To me,

that that that was really fun to explore.

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And so I just started

reading baseball books

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after that and,

and became more enmeshed in the history.

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And, and we found the love for the game.

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what did you know about the movie

going into Field of Dreams?

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Had you seen this movie before?

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Like, did you.

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I thought I have, I think I have,

I would have seen it when I was little,

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and I know I had talked to Cole about it

and I was like,

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it's just a really good movie.

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Like, I don't remember it,

but I remember that it's very good.

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And then I watched it, and every single

second of it was a surprise.

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I knew that there were like

these like lines, right?

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That got repeated.

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Like, if you build it,

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they will come or he will come,

Yeah, surprised the whole time.

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right? It it's a one line wonder.

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The only thing I knew about it

was if you build it, that's it.

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They will.

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And I knew it incorrectly, because. Yep.

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It's. He will come.

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If you build it, he will come.

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I was looking for experts

to give us context

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or background of why

baseball is so important.

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I got dozens of very macho man

writing back.

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Yeah, crying at their keyboards.

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Where they have to speak about

Field of Dreams.

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It did.

It had such an impact on the men's.

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I think that's all you need to know.

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Yeah. No,

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Oh, since we're talking names,

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could you say the say your full name

that you'd like to be announced as, sure.

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Patrick Tate Fleming.

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My last name is tape space Fleming.

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Because I took my son's mom's last name,

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and she took my, And you people are like,

is that your middle name?

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Tape?

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And I'm like, no,

my middle name is Reagan.

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But no.

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Like a solid 1980s baby.

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Not like Ronald Reagan,

like Reagan from The Exorcist.

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Reggie. Yeah. And, from the.

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I am Jaclynn and I'm a 1980s baby,

and I'm named after Jaclyn Smith,

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the Charlie's

Angel. So there you go. Yeah.

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And Cole, who are you named after?

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Cole from Days of Thunder. Oh.

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Is that true?

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There's no way that.

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So you made that up to fit in? I did

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listen. To the way Cole talks.

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His parents did not, did Oh, man,

I thought I, I had it there.

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I was like, that was him.

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That's not a movie I've ever seen.

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But I had the cassette soundtrack.

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I totally thought in your email was like

a stage name email with the tape in it.

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Like, that was like, whoops.

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It does it it yeah, it does

have a real like, this band guy.

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Yeah. And convenient. Yeah.

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Do you want to have Patrick

read the email?

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would, I would like that

because I think hearing it quoted back,

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you have a poetic ness about your writing.

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Let's see if I can find of hear.

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Hey, Cole.

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I dove into the podcast

and started listening to the Princess

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Bride episode, which is so great.

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It got me thinking more deeply about why

Field of Dreams has always hit me so hard,

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personally, and I thought I'd share this

little tidbit with you before we talk.

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If we end up talking, what's interesting

is that my father's life

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kind of mirrors

Moonlight Graham story in a strange way.

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My dad was a professional umpire

in the early 70s.

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At the time,

he was actually the only umpire in triple

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AA who was also teaching

at the umpire school in Florida.

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he was really respected and was considered

somebody

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who was going to make it

all the way to the majors.

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I even have this little booklet

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from the school where it says,

Michael will go all the way.

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But then his father died

suddenly of a heart attack

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and my dad had to make the decision

as a 23 year old, to come back to Iowa

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to run the family printing company,

So he never made it to the big leagues.

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what is wild

is that all of his contemporaries

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and close friends from umpire school

eventually did make it.

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He was right there with him,

but life pulled him in another direction.

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I think that's probably part of why

Field of Dreams affects me so deeply.

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there's something so beautiful

and heartbreaking about unfinished dreams

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and the way life

ask people to sacrifice for one another.

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And now that my dad has passed away,

the Little League fields

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I grew up

playing on are actually named after him.

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So I think about him all the time

when I'm out there coaching kids.

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It's funny because the older I get,

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the more Field of Dreams

feels less like a movie about baseball

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and more like a movie about fathers

and sacrifice, legacy

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and how dreams somehow continue

through other people,

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even if they don't happen

exactly the way you imagine them.

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Anyway,

I just wanted to share that with you

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because your podcast

really got me thinking about all it again.

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Talks in.

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When we're each of us in

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and when we're each of us out

for Field of Dreams.

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I was in at the at the exposition.

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it did the thing that I like,

like I felt like it wrote

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the first three episodes,

threw them out, and then, like,

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made it into,

like a pretty snappy voiceover montage.

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My name is Ray Kinsella. I'm 36 years old.

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I love my family, I love baseball,

and I'm about to become a farmer.

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Everything felt so cozy, like it was.

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I don't want to be a farmer.

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I don't, I don't want a man

who's like off on his own dream.

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Like what a nightmare to be his wife.

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But honestly I was like, I want to crawl

in this movie and live in it.

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It felt like, what a great relationship.

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Even though I was also

like, God, she is patient.

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Like, yeah.

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I could never be.

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But it was.

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It's so cozy.

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I when I was in,

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when Amy Madigan, I gave him permission

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to build the baseball field

and also seemed like she meant it.

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Yeah. It was.

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I appreciate

I appreciated the dynamic that they had,

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even though also like, good God.

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Robbie, what's the number

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one thing that you want to say

about Field of Dreams?

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Okay. So happy.

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What I love most about it

is that it moves at the speed of baseball,

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which and and the more I watch it,

the more I appreciate

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how it transcends the parts of it

that don't work

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and achieves

something much bigger and more poetic.

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that moves at the speed of baseball.

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I like I it really is like

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that conversation that we had with Patrick

about this really hit home about

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You know, I think that you never.

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The second you have no idea

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what it feels like until you've lost,

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a father or, a mother or,

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sibling or, you know,

or even a partner or whatever. And,

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and just having.

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I think most people would give it all up

to have the, the one more day,

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right, with the, with the one that they,

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you know, loved the most or whatever.

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And I think this movie

does such a good job

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of fulfilling that fantasy

or fulfilling that, that dream.

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it's a, it's a thing that

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that we passed down

from generation to generation.

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And this movie really puts it

in perspective of,

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of connecting, to your dad

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and getting that one more,

that one more time just to play catch

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or to us go the distance with them

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and just

and just see the world through their eyes.

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My father's name was John Kinsella.

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suppose dad did the best

he could instead of Mother Goose.

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I was put to bed at night.

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The stories of Babe Ruth, Lou Gehrig,

and the great Shoeless Joe Jackson.

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Dad was a Yankees fan,

and so of course, I rooted for Brooklyn.

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But in 58, the Dodgers moved away.

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So we had to find other things

to fight about.

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We did, and when it came time to go to

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I think the thing about baseball

that is so unique

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is that it's generational,

you know, that it's passed down

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Right, right.

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Sure.

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Correct.

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Right.

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So how I came to love

the game was basically

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how I came to love

the game was basically through my father.

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my father and I shared a special bond

with baseball.

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And my late

father also had worked in television.

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My dad was a sales guy.

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He wasn't on the air, but as a little boy,

he would bring me

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to the local CBS station

in Hartford, Connecticut, where I grew up,

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and I got to meet the sportscasters.

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So sports, particularly baseball,

baseball has always been

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my favorite sport

because of my relationship with my father.

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my late father died in in 1999, and

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a year before

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that I was about 26 years old,

living in San Diego.

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:

I was working at a radio station

part time, I'm not rich, but I'm not poor.

277

:

I think I'm going to go see

as many ballparks as I can.

278

:

And you know what?

We went on that first trip.

279

:

If you build it,

280

:

they will come.

281

:

I went to the Field of Dreams

with my brother.

282

:

In fact, I have a picture of me

and my brother when I went to the field,

283

:

the dream site, you could just pick up

a bat and play, and my brother and I did.

284

:

I got a picture even on my website, Mr.

285

:

Sports travel.com.

286

:

Now, since then, I ended up

sort of in my dad's memory,

287

:

finishing all 30 ballparks

288

:

about six months

after he died at the end of the 99 season,

289

:

it meant a lot to me to do it because on

the 98 trip, I was calling my dad.

290

:

I didn't have a cell phone,

so I was calling my dad from the hotels.

291

:

Dad, I'm in Minneapolis.

292

:

And then from there at springboard, where

I've seen baseball all over the world.

293

:

So that's kind of how I got started.

294

:

there were times when we would go

to a Minnesota Twins baseball game

295

:

and my dad would call

his old umpire buddies and be like, hey,

296

:

we're coming to the game.

297

:

You know, it'd be fun to see you

and the and the professional umpires

298

:

would invite us down to the umpire room

299

:

and, you know, whatever,

my older sister would be there.

300

:

So they would be like,

are you proper or, you know, like.

301

:

And they would be like,

I mean, they're like boxer shorts

302

:

and they'd be rubbing the baseballs

before the game because they rub

303

:

like 80 some baseballs

for every game with Mississippi mud.

304

:

It's like mud

305

:

that only comes from this little area

right off the Mississippi River.

306

:

And they rub baseballs.

307

:

And they rub baseballs.

308

:

And it was great to hear these guys

telling old stories about my dad.

309

:

Oh, your dad,

310

:

and,

when when he got into that umpire room

311

:

with them, they all, like, snapped back

and it was like he was one of them.

312

:

He wasn't like the data

for who runs this printing company.

313

:

And of course he was.

314

:

He lit up, you know, it was like

he was with his his buds or you know, it's

315

:

probably like you like how my son sees me

when I get together with my old band

316

:

mates or something, you know, it's like,

oh, yeah, you have that pact,

317

:

Now that I think about this trip,

I remember, you know,

318

:

they're not even having a phone.

319

:

that it was pure,

kind of like the movie Field of Dreams.

320

:

So I had a great time Today

I look back on all the travels I've done.

321

:

I've seen sports and like 176

different countries and territories

322

:

around the world.

323

:

I still go back to that trip, but I think

324

:

the thing about Field of Dreams

that is so unique is that

325

:

it's a living,

326

:

breathing thing

that you can go to the Field of Dreams

327

:

movie site,

which I've been to three separate times.

328

:

and it's it's a sense of community.

329

:

It is an experience.

330

:

And that's what's different

331

:

than other most other movies

where you don't have a movie.

332

:

And then it's it's still a living,

breathing organism.

333

:

Well, but the difference

334

:

So your experience

is actually quite normal

335

:

because many baseball fans have that

aspiration of wanting to see all 30 parks.

336

:

And most of them, if you ask them

how many went to I, about six.

337

:

And, so you did pretty good.

338

:

And you're not even a fan.

339

:

I feel like a kid,

340

:

honestly, when I go to a baseball game,

even now, to say that you were there.

341

:

I've been to the World

Series, have been to All-Star games.

342

:

I've been to the World Baseball Classic,

343

:

I've been to every baseball

that you can think of,

344

:

it's really fun hearing so many people

talk about their love for it.

345

:

And then

346

:

embracing that.

347

:

Cole, what about you?

348

:

What's the one thing you want to say

about Field of Dreams?

349

:

x and y and Z happens,

350

:

and there's no questioning it.

351

:

Half of it didn't have any motivation

that in my mind.

352

:

But I was like, great,

this is what we're doing.

353

:

He's built a stadium.

354

:

They're on a road trip. Great.

355

:

He's kidnaping a famous off author.

356

:

That was fun, right?

357

:

And maybe the famous author is a ghost.

358

:

Great.

359

:

I don't know. But.

360

:

There was something serious

I wanted to say to,

361

:

Some people have lost parents

without closure,

362

:

and that,

363

:

I think, importantly, most people

can easily imagine losing a parents,

364

:

because, you

365

:

know, it's everyone's

going to eventually be lost.

366

:

And so I think most people can imagine

losing a parents without closure.

367

:

And to see somebody

368

:

find a way to have closure

369

:

in their.

370

:

Is part of what makes people melt.

371

:

And closure only exists in fiction.

372

:

And that's why we have fiction and that's

373

:

why this movie

374

:

hit for me personally.

375

:

I think you don't

even have to have closure, because I would

376

:

I would play catch with my grandpa.

377

:

My ghost grandpa,

like every day of the week.

378

:

And like, I don't I don't feel like

I don't have closure from his passing,

379

:

but I would still,

I think, like we can all relate to

380

:

that idea of, like a person we loved

who's no longer here,

381

:

gets to live out their happiest moment,

and you get to also be part of it.

382

:

Like,

383

:

yeah, yeah,

384

:

Robby can I

385

:

What else did you write down about?

386

:

If there this.

387

:

I know you've got thoughts.

388

:

You've seen it over 40 times.

389

:

In your notes.

390

:

You took extensive notes.

391

:

like I'm a little bit

afraid of myself right now.

392

:

You Here's nine innings

393

:

worth of Robbie's thoughts

and feelings about Field of

394

:

Dreams.

395

:

Music carries the opening credits.

396

:

Sets the tone for the movie.

397

:

Mystical. Magical.

398

:

Slightly haunting. Hunting.

399

:

Underneath it all.

400

:

The opening is about Rey's father

and then gets to himself.

401

:

There's never a description of anything

his father did wrong.

402

:

They fought because they fought, and

that's how it goes with fathers and sons.

403

:

His story mirrors

his father's conventional hearing.

404

:

The voice kind of pisses

Rey off. It's a nice reaction.

405

:

He doesn't like to be in that position

because he's not that type of person.

406

:

Rey, here's the voice three times.

407

:

Once in the cornfield,

408

:

once while sleeping in his home,

and the third time in the cornfield again.

409

:

But the third time

he sees the field and Shoeless Joe,

410

:

his daughter, watching Harvey

the next day.

411

:

I love the ray, says.

412

:

That man is sick. Very sick.

413

:

The home is chaotic and lived in.

414

:

The more he thinks about building

the field, the more into baseball he gets.

415

:

He's closer to his father's world

and closer to his father.

416

:

Any questions whether he should do

this, build this field.

417

:

And Ray says he's

afraid of turning into his father.

418

:

He wonders about his father as a person.

419

:

He's afraid of turning into

this vision of his father.

420

:

He's beginning

to understand that his father is a person,

421

:

and it becomes supportive

of the idea of building the field.

422

:

She's pragmatic,

but understands the need for spontaneity.

423

:

Once he starts building the field,

424

:

he starts to share the experience

with his daughter.

425

:

He's becoming the best parts

of his father.

426

:

It's exposition, but it's also bonding.

427

:

The best type of exposition.

428

:

Once the field is finished,

him and Annie picnic on it

429

:

and raise smiles

at the thought of his father.

430

:

I have just created something

totally illogical.

431

:

He's proud of himself.

432

:

Impressed. He's not dwelling on the fact

that Shoeless Joe isn't there yet.

433

:

He's just reveling in the accomplishment.

434

:

He spends the winter waiting.

435

:

Kind of like baseball fans wait all winter

for the new season to start.

436

:

Pitchers and catchers

fidget pitchers and catchers.

437

:

Pitchers

and catchers, pitchers and catchers.

438

:

I just love pitchers

and pitchers and catchers.

439

:

I just love pitchers and catchers.

440

:

That's totally me.

441

:

I love.

442

:

I cannot wait for pitchers and catchers

443

:

just when they're realizing the

444

:

the cost of the field to their finances.

445

:

She has a history of beers,

and they know they have to keep it.

446

:

First scene with Shoeless Joe

that they don't talk for a while, but nod.

447

:

Music builds the mystery

for both Ray and Shoeless Joe.

448

:

They can't believe this is happening.

Taking it slowly.

449

:

Ray's smiling

when Joe asks him if he can pitch.

450

:

I can definitely relate to that smile.

451

:

It'd be amazing to pitch and play

with the hero.

452

:

Joe Lightning Ray's

curve and Ray smiles playful.

453

:

They enjoy the same parts of the game.

What's with the lights? Owners.

454

:

Some parts of the game never change.

455

:

When any invites Joe inside, Joe says,

I don't think I can.

456

:

Introduces a boundary to the dream

that will later come back.

457

:

Moonlight

Graham is the only one to cross it.

458

:

We're keeping this field.

459

:

You bet your ass we are.

460

:

And his brother Mark immediately squashes

the dream.

461

:

He's going to lose the farm. Mark actually

has a pretty good understanding of Ray.

462

:

You never liked Iowa?

Not exactly true, but not exactly wrong.

463

:

Mark is trying to help.

He cares about his sister.

464

:

But he's a villain. The other white Sox

come out to play.

465

:

Same fan, same grievances. Oh, yeah.

At least I got muscles.

466

:

At most you got muscles.

They swear in front of Karen.

467

:

Karen says it's all right.

468

:

We find out that not everyone can see

them.

469

:

Annie calls Ray into dinner,

and the ballplayers make fun of him.

470

:

I'm noting I'm melting.

471

:

There are a lot of people

at this PTA meeting.

472

:

It may be backward,

but it's well attended.

473

:

Camera shakes a bit when the woman

is talking about the Terrence Mann book

474

:

being smut.

475

:

You know,

I stopped writing books, don't you?

476

:

Because he masturbates.

477

:

Why did they leave the meeting?

478

:

Ray realizes

he has to ease Terence's man man's pain.

479

:

And to do that, he needs to go to Boston.

480

:

And is the one torn

between magic and reality

481

:

until she realizes

they are having the same dream.

482

:

And then she's back in the magic

483

:

Ray, coming in with his hand in his

pocket, pretending it's a gun. Is amazing.

484

:

The way this scene plays out is fantastic.

485

:

Kevin Costner plays it straight,

486

:

and Terry's response

to him, the softening to Ray makes sense.

487

:

No, I mean, what do you want?

Shows him the concession stand.

488

:

Oh, talking of beer.

489

:

Terry admires Ray's passion.

490

:

Says he used to feel that way,

but doesn't anymore.

491

:

Ray, refusing to involve Terry anymore,

convinces Terry to come clean.

492

:

Road trip music.

493

:

Ray goes for a walk and finds himself

in:

494

:

Burt Lancaster. What a face!

495

:

The camera finds him at a distance

and then swoops in on him. Great entrance.

496

:

It was like coming

this close to your dreams

497

:

and watching it brush past

you like a stranger in the crowd.

498

:

His dream was to bat once in the major

leagues.

499

:

Ray would go that far to see this through.

Doc Graham walked.

500

:

He's at peace with his life

in a way that Ray isn't his younger self.

501

:

So we'll take that journey.

502

:

It's not my fault

you wouldn't play catch with your father.

503

:

Terry's face when he sees and meets

everyone is amazing.

504

:

He's like a kid. He's bent over and

flabbergasted when he shakes Joe's hand.

505

:

Hey, how about a warning? Sure, kid.

Watch out! You don't get killed.

506

:

The look between Graham and Ray. Mutually

grateful.

507

:

Terry gets more childlike

as the movie progresses,

508

:

and he finds the thing he had a hard time

believing is real.

509

:

When Karen says people will come and buy

a ticket, everyone

510

:

but Mark believes her

because they have bought into the magic.

511

:

The people will come.

512

:

Ray is not my favorite speech,

but it makes sense why it's there.

513

:

It continues with the magic and explains

why Ray refuses to sign.

514

:

Ray genuinely feels bad

that Doc Graham can't go back.

515

:

Mark finally sees the ballplayers

and says they can't sell the farm.

516

:

You lied to me.

517

:

You said your finger was a gun.

518

:

Ray's father comes out of nowhere.

519

:

He wasn't there before, and now he is.

520

:

Ray introduces him to his family,

which he mentioned earlier

521

:

he never got a chance to do.

522

:

Neither knows how to act with the other.

523

:

There's so much. Fun.

524

:

There's so much to say.

525

:

And neither knows how to say it.

526

:

They're sharing little moments,

527

:

and they're about to hold off.

528

:

They're sharing little moments,

529

:

and they're about to hold off

on expressing it until.

530

:

Dad, do you want to have a catch?

531

:

Oh my God.

532

:

It's so fucking beautiful.

533

:

It really is.

534

:

That was a lot.

535

:

Robby's got feelings.

536

:

That was about the.

537

:

Robbie, that was beautiful.

538

:

Thank you.

539

:

That was, that was unexpected.

540

:

what exactly made you burst into tears?

541

:

It was picturing them.

542

:

there's this idea that there are

a bunch of ghosts in the field playing

543

:

baseball, and, and, and they all have

544

:

the memories of, of their full lives,

545

:

when Ray's father finally comes, it

546

:

there's not like, an overt recognition of

547

:

father and son looking at

548

:

each other like it's very,

like I see in Kevin Costner.

549

:

Oh, my God, it's my dad.

550

:

But I don't see.

551

:

And John, his father, oh,

my God, it's my son in the same way.

552

:

It's all about trying

to find their way into

553

:

Of recognize each other as father and son.

554

:

And the build up to

that is is is pretty impressive.

555

:

And I've never really understood

if my response to

556

:

it has been their acting

or my knowledge of what's happening.

557

:

I love that breaking down of walls.

558

:

And that's very moving to me.

559

:

That's incredibly moving to me.

560

:

When two people don't know how to

talk to each other and then find something

561

:

that they can do together,

that shows how much they love each other

562

:

and how much has been referenced

before, you know, like, that was the

563

:

that was the basis of their breakup.

564

:

You know, it's very earned.

565

:

Yeah, yeah.

566

:

When he said he is beginning to understand

that his father is a person,

567

:

Because one day, Connor

will see you as more than just dad.

568

:

Yeah, that's such a that's such

569

:

a big part of growing up.

570

:

Realizing your parents are people is.

571

:

Like, just realizing that you're. Human.

572

:

this is part of what it is to be

a human being, like, you are a child,

573

:

and then you realize your parents part,

a part of growing up is just realizing

574

:

that your parents are not like mommy

and daddy, but like they're their own

575

:

people who are dealing with their own,

you know, are dealing with their own shit.

576

:

Because it's funny that you recreated

a similar situation, but like, in your own

577

:

way, like that, like you and your dad

have a lot of parallels him as an umpire.

578

:

And in Europe as like an indie rocker.

579

:

it is very similar, and I've never

really thought about that parallel at all,

580

:

other than being young and broken,

you know.

581

:

Having a dream.

582

:

Yeah, but but in, in reality,

you know, it's kind of beautiful

583

:

that like most people in their retirement

would just want to do

584

:

the things like travel

and do the things that they love to do.

585

:

And so as, like, whatever a 30 year old,

I was getting to travel the country and

586

:

play music every night that is like,

587

:

wow, I'd rather do that

at 30 than 70, right?

588

:

And my dad got to go

and, watch a baseball game

589

:

and travel with his friends

when he was 25.

590

:

Right. It's really cool.

591

:

And so that he never got to

592

:

have those retirement years

because he worked until the day he died.

593

:

He did get to have what some people might

594

:

consider the most incredible retirement.

595

:

You got to watch a baseball game

every day.

596

:

You got to be a part of it,

597

:

and you got to travel

and you got to do it with his friends.

598

:

That sounds pretty incredible.

599

:

much like baseball.

600

:

It's sort of like if I try to tell you

what baseball is about, you can't.

601

:

But you can talk about the moment

and the things that they come together

602

:

and like the pace and the slowness

and the experience.

603

:

But it's like, let it be and like,

let the experience be what it is.

604

:

call it makes me appreciate

what you had to say about it because like,

605

:

it is just presenting itself and

you either are going to accept it or not.

606

:

And like, I hadn't really thought

about the cars at the end coming like,

607

:

they're just all coming all of a sudden

and you're like, how did they know?

608

:

You know?

609

:

And you're like, well, okay,

I guess because the movie said so.

610

:

Yeah. It's like,

611

:

right.

612

:

Because you give a speech which I don't

particularly like, or particularly great.

613

:

But not great, not well written.

614

:

But you said it was going to happen.

So okay, here we go.

615

:

A very wholesome thing

about the cars is that

616

:

those are actual Iowans who,

617

:

heard a call out on the radio.

618

:

X, Y, and Z time.

619

:

We need to, I'm on this exact route.

620

:

So, please, 5 p.m.

621

:

Thursday.

622

:

Wow. Please, everybody in Iowa drive up.

623

:

That's so cool.

624

:

It was such a beautiful shot.

625

:

It looked real.

626

:

So I love that I love that it wasn't.

627

:

I love that, and I could imagine, like,

628

:

being in the theater and being like,

I wonder which cars us.

629

:

Right?

630

:

Yeah.

631

:

So, so another another part of

632

:

that is they they didn't have

enough cars so they had them

633

:

alternate between their brights and their

634

:

and their regular

so that it looked like the,

635

:

their bright lights

and the regular lights.

636

:

So they were flickering their lights.

637

:

So it looked like there were more of them.

638

:

Or it did have a funny twinkle to it.

639

:

But yeah.

640

:

Normal lights don't have.

641

:

did you say the phrase toxic masculinity?

642

:

Jaclynn?

643

:

Probably at some point today.

644

:

Not in this film.

645

:

there's a running joke, probably

in a lot of people's circles about

646

:

things, especially in movies,

647

:

things that men will do to avoid

going to therapy.

648

:

Yeah.

649

:

A classic example.

650

:

A for ghosts?

651

:

for ghosts?

652

:

For Shoeless Joe Jackson?

653

:

For Shoeless Joe Jackson?

654

:

Those those are.

655

:

For the white ghost ways

656

:

For the white ghost ways to.

657

:

It's it though.

658

:

Is it like, in reality. Right.

659

:

That would be pretty bonkers.

660

:

Hey, guys.

661

:

Just want you to know I'm dating this guy.

662

:

And don't worry.

663

:

I don't know,

he left to go kidnap my favorite writer.

664

:

when I have this big moment and I, like,

have this political beautiful moment.

665

:

He didn't hear it at all.

666

:

He was too busy realizing

he was going to kidnap my favorite writer.

667

:

And he's gone now.

668

:

But, guys,

I think it's going to really work out.

669

:

He took all of my savings.

670

:

And he's building

a baseball field in a cornfield.

671

:

But I think it's okay, guys.

672

:

I think it's love.

673

:

Okay.

674

:

All of that.

675

:

You said it was wholesome.

676

:

All of it.

677

:

To get from

678

:

you with your dead father.

679

:

I will say,

680

:

Kevin Costner gets away with a lot

for being so handsome in this film.

681

:

Yeah.

682

:

He's so good looking. My goodness.

683

:

he gets away with a lot

because he's just sort of moving

684

:

forward, he's

not thinking about this, Yeah.

685

:

Like,

there's a lot of people who would be like,

686

:

I'm going to build a baseball thing.

687

:

And then they never get.

688

:

He built a beautiful baseball field.

689

:

He did manage to kidnap an author.

690

:

Yeah, yeah, yeah.

691

:

They did go to a game like the manager

leaves the things he sets out to do.

692

:

And that is impressive.

693

:

Yeah. it's very much a baby boomer movie.

694

:

He's, full disclosure,

baby boomers as a generation drive me nuts

695

:

because we're so crazy, you know,

because like,

696

:

my understanding of them is

that they're so incredibly selfish.

697

:

I didn't find the masculinity toxic,

but I found it very on point, you know?

698

:

Yeah. It's very of a time.

699

:

It's like you just you can you can see

the birthplace of where we've ended up.

700

:

Yeah. Yeah. Right.

This is like every, like.

701

:

Oh at all costs, follow your dreams and

like and that's how we got to:

702

:

Yeah yeah

yeah. Yeah. Exactly right. Yeah.

703

:

does things

slowly happen, and then all of a sudden

704

:

we're going to Minnesota and then we're

driving, we're driving, we're driving,

705

:

we're talking about this thing,

and then suddenly we see somebody

706

:

hitchhiking and oh my God, it's well,

you know, like like

707

:

they're just these bursts of of things

that move the story forward.

708

:

And I just really enjoy that.

709

:

But every single one of these things

is a choice he chooses to make.

710

:

He chooses to drive to Boston

to take Terrence Man to a baseball game.

711

:

He chooses to build this baseball field.

712

:

He chooses and it was all

because he didn't make the simple choice

713

:

as a, as a kid to just go out

and play catch with his dad.

714

:

come on, Ray.

715

:

It's the bottom of the ninth.

716

:

Bases loaded.

717

:

The crowd can feel it,

718

:

and they've got five minutes till dinner.

719

:

When you were doing the drive

720

:

from the East coast back to Iowa

721

:

how much did that help you

722

:

picture what Terance

Mann and Ray would have been feeling

723

:

in that drive from Boston back to Iowa?

724

:

Yeah, that's that's so nice.

725

:

That's a such a cool scene in that movie.

726

:

Because of course, you know,

the magic of film.

727

:

You can drive from Iowa to Boston

just like that.

728

:

And I've done New York City too, Iowa,

729

:

Sibley, Iowa, after a CMJ show.

730

:

And I know from the Lower East

Side of Manhattan, too, Iowa,

731

:

takes 26 hours and moves

and you lose an hour.

732

:

This country is so big.

733

:

And we left as a band, you know, the Lower

734

:

East Side of Manhattan

at like,:

735

:

but it took 26 hours straight.

736

:

So from Iowa to Boston,

it would be very similar, probably 25 hour

737

:

drive The amount of time that Terence man

738

:

and Ray had to connect on everything from

739

:

writing,

740

:

protesting in the 60s,

being a father, baseball like,

741

:

because you can tell by the time

that that they get back to Iowa

742

:

that they feel like

they've been lifelong friends

743

:

and that they've gone

through something together.

744

:

And I feel like that was always

the thing about being in a band or,

745

:

or doing some sort of epic trip that

you've been through something together.

746

:

You know, I always, I always tell people

who are starting a relationship

747

:

like a couple that maybe you shouldn't

go on vacation together.

748

:

You, because you're either going to be

you're either going to fall in love

749

:

with each other or that the vacation's

going to be the the end of it,

750

:

you know,

because you have to it's it's it's

751

:

it's it's

an experience to travel with somebody.

752

:

But yeah, you don't get to see

all those conversations they had.

753

:

It's just it just shows them in the night

driving in the rain.

754

:

And they're just having kind

of a very mundane conversation about dads.

755

:

And then all of a sudden there's

moonlight Graham, you know,

756

:

just let's pick up this hitchhiker,

because it would be good

757

:

to have another person in this car

to carry on a conversation.

758

:

Yeah.

759

:

I really like how they show don't tell.

760

:

And that, like, they don't

there's not a lot of exposition of like,

761

:

wow, we're having such a bonding

experience over 26 hours.

762

:

You just see the change

in their relationship

763

:

from when they started, right?

764

:

The fake gun and like the kidnaping

to like this familiarity and friendship

765

:

that has clearly grown out of them

spending so much time together,

766

:

I thought that that was it's

just really it's shown.

767

:

Just as a side note, in the book,

the author is J.D.

768

:

Salinger, who he goes to kidnap.

769

:

Oh, interesting.

770

:

Yeah. Yeah.

771

:

But yeah I guess I didn't occur to me

772

:

that James Earl Jones

in this Terrence is was a ghost.

773

:

I can't believe I missed that. I feel very

774

:

ignorant.

775

:

Is that the.

776

:

Oh, I didn't think that at all. Okay.

777

:

I didn't think that Cole said it.

778

:

Okay. I didn't think that Cole said it.

779

:

Oh, okay.

780

:

They gave it a wildly liberal read.

781

:

Okay.

782

:

But I would actually

783

:

say to other people he became a ghost.

784

:

Yeah, that's the thing.

785

:

He did die, right?

786

:

Like they sent him into the cornfield

to die, right?

787

:

No, no, just to report.

788

:

I think he's going to come back.

789

:

Robbie, that's so cute. Did.

790

:

Do you have a lot of animals

go upstate to a farm?

791

:

Every one of them on.

792

:

So. No, but I think.

793

:

I'm gonna.

794

:

Come back. Now.

795

:

I think. I think he's coming back.

796

:

I think he's coming back.

797

:

Nice.

798

:

You think. He's coming. Back?

799

:

No. That man is dead. And.

800

:

No, that was that was him going

to become a ghost.

801

:

I believe the kids and Willy

Wonka did die.

802

:

I do not believe.

803

:

That, Terence.

804

:

Man, I don't believe that

he died in this movie.

805

:

you both think he died.

806

:

You both think he went into the field

and just.

807

:

Yeah, it's the ghost field, ma'am.

808

:

Oh, God. That's.

809

:

What do you think happens back there?

810

:

You think they're all just actually,

811

:

like, in there,

like changing clothes and stuff?

812

:

No, I, I, I just feel like he's

he's gone back there.

813

:

He's, he's, he's

going to look around and experience that.

814

:

And you to come back and write about it.

815

:

Where do you think he's gone? Back there.

816

:

Become a ghost.

817

:

And then he's going to come back a man.

818

:

Yeah.

819

:

Because they, like, disappear

into the corn.

820

:

Yeah. Because they, like,

disappear into the corn.

821

:

No, I think I know I don't think he

he becomes a ghost.

822

:

I think he, I think he enters

the ghost realm and then he just returns.

823

:

Well.

824

:

Jack, are you looking at me like, oh,

that's adorable.

825

:

That's really.

826

:

It's very sweet.

827

:

I'm not going to kill that bubble.

828

:

He does.

829

:

He he lives.

830

:

He's fine.

831

:

Well then

832

:

when you said with each revelation

someone says

833

:

this is really interesting,

834

:

all caps very midwestern.

835

:

Yeah.

836

:

But it is this movie is so Midwestern.

837

:

You're Midwestern.

838

:

I it's just I mean I do that all the time

and like, oh, cool.

839

:

You know, it's like.

840

:

Know like something happens and it's like,

Oh that's interesting.

841

:

That's a really cool thing.

842

:

You know?

843

:

I just it's the.

844

:

Blind support

is that it's Midwestern. Just saying.

845

:

Yeah, I like it.

846

:

I know it's a very Midwestern response

like, oh, that's great.

847

:

That's really cool.

848

:

And not yeah, I do that a lot.

849

:

I do that a lot.

850

:

like I would imagine that

851

:

like a more New York response or an East

Coast response would be like an eyeroll.

852

:

Or, or fuck.

853

:

Yeah. Yeah. I once was at a party.

854

:

Like, I don't consider Colorado a midwest,

but it's also not not Midwest.

855

:

And I was at a party once,

and this woman told me that,

856

:

her whole job was, like,

scooping eyeballs out of corpses

857

:

and, like, for research or, you know,

but that's like, that's her whole job.

858

:

And, like,

very similarly, I just was like, oh, cool.

859

:

Like, no,

860

:

better like you, you would never be like,

that's fucking crazy.

861

:

Like you'd just be like,

oh, cool. Wow. That's really interesting.

862

:

Yeah.

863

:

Like, it's like, so polite

and just supportive and, like, would,

864

:

I think,

865

:

I mean it's been decades

since I've had that moment

866

:

and I think about it probably

like every week and I'm always like

867

:

I have so many follow up questions and

I honestly have I have a lot of reaction.

868

:

But I just was like, oh, cool.

869

:

Totally normal. Yeah, totally.

870

:

I work at Starbucks

and you scoop eyeballs.

871

:

Like.

872

:

You're building afield

because you heard voices.

873

:

Yeah. Cool. Yeah, sure.

874

:

Let's eat some green bean casserole.

875

:

We're all just going to drive

to this field because there's ghost

876

:

playing baseball.

877

:

Sounds it is Midwestern,

but I don't know what it makes it.

878

:

Midwestern.

879

:

It's like poor, you know what?

880

:

What? Do you see it?

881

:

Yeah. Yeah, exactly.

882

:

Yeah.

883

:

the mystique about it

is, is it's generational.

884

:

And I also think it's the father son bond

885

:

you know, that's why I love the game

and that's why it's my favorite sport.

886

:

And I've seen more than 100 sports

across the world.

887

:

So it's it's saying something

that that baseball is my favorite sport.

888

:

I think, because of the uniqueness of it,

it's just so different from the other

889

:

sports, the game of failure, Well,

I mean, in baseball,

890

:

you know, if if a guy Well,

I mean, in baseball, you know, if

891

:

if a guy fails seven out of ten times

892

:

as a hitter, he goes to the Hall of Fame.

893

:

Well in baseball

you really have to have the mentality of,

894

:

geez, I may only get one hit this game

if I get two hits in this game.

895

:

Holy cow, I'm kicking it out of the park.

896

:

So on average you get about four at bats,

897

:

and if you get one hit out of every

four, you've had a great day.

898

:

Oh yeah

I mean there is a guy into the movie.

899

:

Absolutely absolutely.

900

:

All the, all the obstacles that

901

:

and then I think that's what baseball fans

and even the general public resonate

902

:

with, you know, and that's why it's it's

a movie that has been so long lasting

903

:

and it gets someone to watch it

on his birthday for 35.

904

:

Well I think yes

I think that's one of the thing.

905

:

Yeah.

906

:

I think that's one of the things

907

:

that is unique to baseball,

especially for a younger player,

908

:

So in the movie,

they see the potential in Archie,

909

:

and they see the

they see the fire in his eyes

910

:

and his love of the game,

which they all share.

911

:

And so in baseball and of course,

it was a movie, you know, even

912

:

the slightest bit of a contribution can be

you could be considered the hero.

913

:

it was written in the gospel

that he was going to go the distance

914

:

As I say, was so young to you.

915

:

There's like probably

916

:

that false assumption of there's

time, it's inevitable and there's time.

917

:

Yeah.

918

:

And that and that it says that

and that it says Mike will go all the way.

919

:

a year after he passed away of,

920

:

you know, they renamed the Little League

baseball field.

921

:

So that I grew up playing on, you know,

Mike Fleming Fields.

922

:

you know, it's it's not Fenway Park

or Wrigley Field or whatever, like.

923

:

No, it's Mike Fleming Field. Yes, sir.

924

:

When something goes on there,

goes on that field, you know,

925

:

or they're, a seven year old kid

and they're going to go play their first

926

:

baseball game.

927

:

And they look at that and they're like,

well, I wonder who that guy was.

928

:

You know, it's why

why are these fields named after him?

929

:

And like and it's cool because they have a

like a picture of him there like a,

930

:

like a plaque, and that I grew up

playing on it and coaching on it.

931

:

And, it is our probably family's

little field of dreams in a sense,

932

:

and you have to remember that

933

:

in this in this film,

934

:

Ray says it.

935

:

Ray says one of the reasons

that he stopped playing catch with his dad

936

:

is because he read this person's book

so that he.

937

:

That was so funny influence of a father

to this, to this writer.

938

:

He didn't know what this idolizing

of a human being that you don't know.

939

:

But their ideals connect with you

more than even your closest

940

:

relative.

941

:

And then Terence,

942

:

man, when they're in the van,

943

:

he says, you see, that's the sort of crap

people are always laying on me.

944

:

It's not my fault

you wouldn't play catch with your father.

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About the Podcast

the arc.fm
Storytellers talking about stories!
Join three very different storytellers with three very different personalities, as we bring each other stories to break apart and celebrate. In every episode, we're having the best time exploring what makes a story work, why it moves us, and why we can't stop talking about it. It's not analysis. It's not review. And it's something more than just a conversation about one of the things that makes life worth living... stories.