Field of Dreams - Making Grown Men Cry Since 1989
We argue that Field of Dreams isn't really about baseball or fathers so much as the elaborate lengths men will go to instead of just going to therapy, and it all starts with Robby who has cried through it on his birthday every year for more than thirty years.
EPISODE SUMMARY
We believe Field of Dreams isn't really about baseball, or farming, or even fathers and sons in the way you'd expect. It's about what men will do to avoid going to therapy. Robby has watched it on or near his birthday for more than thirty years and still cries every time. Jaclynn only saw it as a baby, so it's effectively new to her, and she didn't even know the famous line right. Our guests are Joe Connor (Mr. Sports Travel) and Patrick Fleming, and this one gets more emotional than a group of people talking about a cornfield has any right to. Patrick's late father, Mike Fleming, was a Triple-A umpire everyone expected to make the majors until he went home to Iowa at 23 to run the family printing company. That is Archie "Moonlight" Graham's story all over again: two men at the edge of the big leagues who gave it up for someone else.
WHERE TO WATCH
Streaming availability as of 2026-09-18.
- Netflix (streaming with subscription)
- Prime Video (rent or buy)
- Apple TV (rent or buy)
- Fandango At Home (rent or buy)
New To The Show?
New episodes of The Arc arrive roughly once a week, but they are ephemeral beings that sometimes take longer; you're encouraged to start from the beginning with Episode 01: The Princess Bride.
A Long Summary
Field of Dreams is the 1989 movie where Kevin Costner hears a voice in his Iowa cornfield, plows under his crop to build a baseball diamond, and watches the ghosts of banned White Sox players walk out to play, including Shoeless Joe Jackson, and eventually his own late father, young again and asking for a catch. It is, on paper, a movie about baseball. It is also a movie about farming, and about kidnapping a reclusive author, and about a small-town doctor who gave up his one shot at the majors. None of that is what it's actually about, which is the thing Robby has known since he was 20 or 21 and cried, unexpectedly, the first time he saw it with a college friend who shared his birthday. He's watched it on or near his birthday almost every year since, more than thirty of them now, and he brought it here, which makes this his birthday movie and, fairly, makes him the star of it.
What we found is that Field of Dreams makes men cry, and it makes them cry at their keyboards: when we went looking for baseball experts to explain why the game matters, we got back dozens of very macho men writing in, choked up, needing to talk about this film. Two of them are here. Joe Connor has seen live sports in 176 countries and finished all 30 major-league parks the year his father died, in his memory. And Patrick Fleming, an Iowan and an indie musician, wrote Cole an email, read aloud in full, about his father Mike, a Triple-A umpire whose school booklet said "Mike will go all the way." Mike didn't. His own father died, and at 23 he went home to run the family printing company while every one of his umpire-school friends made the majors. Archie "Moonlight" Graham, in the movie, is that exact story: one at-bat away, then a small-town doctor for the rest of his life. Mike Fleming and Moonlight Graham lived the same life, and now the Little League fields Patrick grew up on are named Mike Fleming Field, his family's little field of dreams.
One of the hosts argues that the movie melts people because it lets a man have closure with a dead parent, and that closure only exists in fiction, which is what fiction is for. Another host pushes back that you don't even need the closure; you just need to watch someone you loved live out their happiest moment and get to stand in it with them. Somewhere in there we argue, at genuine length and without resolution, over whether James Earl Jones's character walks into the corn to die or to become a ghost or just to go look around and come back and write about it; one of us is very sure he's fine. We also take a hard look at what the movie asks of Costner's wife, at how much a very handsome man gets away with, at whether following your dream at all costs is exactly how we got where we are, and at the fact that the cars flooding in at the end were real Iowans answering a call on the radio, flicking their brights on and off so it would look like more of them. You do not have to have seen the film to follow any of it. But by about five minutes in, you'll want to have a catch.
WHAT WE DISCUSS
01:23 - WHO BROUGHT "FIELD OF DREAMS" AND WHY?
Robby brought this one, because it's his birthday movie. He has watched it on or near his birthday almost every year since he was 20 or 21. It started in college, watching with a friend named Mark, when Robby cried without warning at the "want to have a catch" moment. He was shocked by his own reaction. So he watched it again the next year, and the year after that.
07:55 - PATRICK'S EMAIL ABOUT HIS FATHER
Patrick Fleming reads us the email he sent Cole before the taping. His father, Mike, was a professional umpire everyone thought would go all the way to the majors. Then Mike's own father died suddenly, and at 23 he went home to Iowa to run the family printing company. Patrick draws the line straight to Moonlight Graham: two men at the edge of the big leagues who gave it up for someone else. Today, the Little League fields Patrick grew up on carry his dad's name.
20:57 - ROBBY READ LITERALLY ALL OF HIS NOTES ON FIELD OF DREAMS
Robby has seen this movie more than 40 times, and he brought notes. We let him read them, scene by scene: the three times Ray hears the voice, Ray's fear of turning into his own father, the PTA meeting over the Terence Mann book. It's not a review. It's a man showing us how much he loves a movie.
23:50 - ROBBY CRIES
And then Robby cries, right in the middle of the moment Ray's father shows up and the catch begins. We talk about what got to him, and about realizing your parents are their own people, which brings us right back to Patrick's dad.
28:41 - SONS MATCHING FATHERS
Patrick tells us his father never got a traditional retirement, because he worked until he died. But he got a version of the dream in his 20s, traveling to games with his umpire friends, and Patrick compares that to his own years touring as a musician at 30. Then we turn to the ending and that sudden line of cars headed for the ballfield. It doesn't quite make sense. It works anyway, because the movie tells us it will happen and asks us to go along.
33:48 - TERRENCE MANN IS A GHOST
We talk about how the film makes small, deliberate choices, including a long cross-country drive that bonds Ray and Terence Mann without showing us most of what they say. Then we get lost in a real argument: when Terence Mann walks into the cornfield, does he die, become a ghost, or just look around and come back? One of us is very sure he's fine. The rest of us aren't buying it.
41:06 - THIS MOVIE IS SO MIDWESTERN
Everyone in this movie meets the impossible with calm, polite understatement, and we decide that makes it very Midwestern. One of us shares a story about saying a blandly cheerful "oh, cool" to someone whose job was scooping eyeballs out of corpses, which proves the point. We wonder what else makes it feel so Midwestern, and land on its father and son heart.
43:23 - ARCHIE MOONLIGHT GRAHAM'S STORY WRAPS UP WITH PATRICK'S DAD
We come back around to Patrick's dad. His umpiring career was cut short, and a Little League field back home was renamed Mike Fleming Field in his honor. It's the other half of Moonlight Graham's story, and it leads us back to Ray and the catch he and his own father never had.
CHAPTERS / TIMESTAMPS
0:00 - COLD OPEN
1:23 - WHO BROUGHT "FIELD OF DREAMS" AND WHY?
2:27 - WHAT'S THE NUMBER ONE THING WE WANT TO SAY ABOUT "FIELD OF DREAMS"
5:17 - WHAT SHOULD YOU KNOW GOING INTO "FIELD OF DREAMS"
6:35 - A VERY FUNNY INTRODUCTION OF PATRICK
7:55 - PATRICK'S EMAIL ABOUT HIS FATHER
10:14 - WHEN WERE WE IN AND OUT OF "FIELD OF DREAMS"
13:42 - JOE HAS VISITED EVERY BASEBALL STADIUM IN THE US
20:57 - ROBBY READ LITERALLY ALL OF HIS NOTES ON FIELD OF DREAMS
23:50 - ROBBY CRIES
28:41 - SONS MATCHING FATHERS
30:42 - HOW THEY GOT THE TRAFFIC JAM IN "FIELD OF DREAMS" BEFORE CGI
33:48 - TERRENCE MANN IS A GHOST
41:06 - THIS MOVIE IS SO MIDWESTERN
43:23 - ARCHIE MOONLIGHT GRAHAM'S STORY WRAPS UP WITH PATRICK'S DAD
FUN FACTS / PRODUCTION TRIVIA
The corn grew almost too well, so when Costner first hears "If you build it, he will come," he had to walk onto a foot-high platform. [Source]
The famous line everyone quotes as "if you build it, they will come" is actually never said in the film, what it's actually saying is "If you build it, he will come."
The emotional final shot of an endless line of headlights heading toward the field wasn't a visual effect at all; the scene was filmed with the help of local Iowans, with thousands of Iowa residents lined up in their cars on the road to the farm, tuning into a local radio station for the director's instructions. To sell the illusion of a growing crowd, town residents drove up to the field with their headlights on, then drove away with their headlights off to make it look like more and more people kept arriving.
James Earl Jones almost turned down the role entirely, it was his wife who convinced him to accept the role of Terence Mann, though she warned him the long baseball speech would end up cut from the film, a speech that instead became one of the movie's most quoted moments.
The film's title wasn't the original plan. It was originally supposed to be titled "Shoeless Joe" like the novel, but that title tested poorly, with audiences thinking it referred to a hobo or that Costner was playing a homeless man, prompting Universal to switch it to "Field of Dreams" instead.
WHAT THEY DID NEXT
Phil Alden Robinson, who wrote and directed Field of Dreams, went on to write Sneakers and direct The Sum of All Fears, among other projects.
EXTERNAL RECOMMENDATIONS
If you want to keep digging into this one after the episode, a few other stops are worth your time. The Film Stories podcast's 200th episode actually landed an interview with writer/director Phil Alden Robinson himself, who candidly tells the story of how the film came together, the challenges they faced, and its legacy, a rare conversation since he doesn't do many interviews. For a more debate-driven take, the Best Film Ever podcast digs into how the film taps into themes of regret, reconciliation, and belief while also wrestling with whether it's overrated.
RELATED ARC EPISODES
New to The Arc? Start with Episode 01: The Princess Bride .
SOUND DESIGN ATTRIBUTION
Sound design via Freesound.org and Envato.
- S: tv_turn_on.mp3 by morgantj | License: Attribution 4.0
- S: Dragging baseball bat by anochrist | License: Creative Commons 0
- S: Soundwalk_IowaCity.wav by djangoman11 | License: Creative Commons 0
- S: 230719 Screen Door, sliding open close, backyard, MixPre AT975r EM272s, Stratford by TRP | License: Creative Commons 0
- S: Jogging on dead grass.wav by Edelhanie | License: Attribution 4.0
- S: corn field 1123AM 220811_0490.wav by klankbeeld | License: Attribution 4.0
- S: [ MPooman ] Baseball Glove Sounds (High Quality) by MPooman | License: Creative Commons 0
Transcript
There's so much to say.
2
:And neither knows how to say it.
3
:They're sharing little moments,
4
:and they're about to hold off.
5
:It's so fucking beautiful.
6
:It really is.
7
:I have just created something
totally alive.
8
:Circle. Him. You melded.
9
:You will come.
10
:If you feel what is him
and that happens to
11
:is your invoices.
12
:Ray is.
13
:Did you hear the voice two?
Did you hear it?
14
:Go the distance?
15
:This field.
16
:This game.
17
:reminds us all that once was good.
18
:Hey, is this heaven? No.
19
:It's Iowa.
20
:I have been in, in situations
and I've met people
21
:who who don't like baseball at all.
22
:I find it incredibly boring and therefore
they just won't take it at all
23
:seriously because, you know, they want to
or they won't give it a chance.
24
:And I mean, this is a different situation
because we bring movies to each other
25
:and we understand, like
these are meaningful experiences to us.
26
:But like, if, you know,
if you just talk like, oh the baseball
27
:It may be obvious to
28
:anybody who knows it is Virgo season,
but who?
29
:Moran's field of dreams and why?
30
:The person who's watched it
for 34 years on their birthday brought it.
31
:Yeah.
32
:I brought it because this is the movie
I've watched almost every year
33
:since I've turned. It was either 20 or 21.
34
:But for the most part, I watch it either
the night before or the day of. Why?
35
:So when I was in college,
I had this friend named Mark Charity,
36
:and he and I had the same birthday,
he was the first friend I made there.
37
:when I saw it with Mark
when he asked his father
38
:if you wanted to have a catch,
I inexplicably started to cry.
39
:Inexplicably,
I feel like that's the whole crying point.
40
:Yeah.
41
:it was the way he said it.
42
:It was the way his voice choked up
that I was like, I was.
43
:I was a puddle. so. Oh.
44
:So I was really shocked
by my response to it. So.
45
:And we did it again this the next year And
then, and then I just started to do it.
46
:Field
of Dreams moves at the speed of baseball.
47
:to achieve something truly poetic.
48
:Field of dreams is a movie
that is dripping
49
:in sentimentality,
but in the best possible way.
50
:Field of dreams doesn't shy away
from how complicated love is,
51
:but it's smart enough to not hit us
over the head with it either.
52
:Field of dreams is an enormous test of.
53
:Do you have any childlike
wonder left in you?
54
:it isn't like I'm watching my relationship
with my father play itself out.
55
:It's the way the movie works is so magical
56
:that it gets to that point and I'm
57
:I'm I'm a blubbering mess. I'm.
58
:You can tell
when somebody is writing an email
59
:and they're crying
while writing the email.
60
:I know you can't see their faces,
but you can tell
61
:when somebody is writing an email
62
:and they are crying
while they were writing you.
63
:The email.
64
:I agree, I was like,
it's a movie about baseball, but it's not.
65
:It's about building a field, but it's not.
66
:We don't even see it.
67
:The field just goes up and looks gorgeous.
68
:It's about farming,
but it's definitely not.
69
:You know,
70
:it's like,
71
:how does this man who's never owned
a farm, who then, like, leveled
72
:half of it has have the most gorgeous corn
you've ever seen?
73
:But they're also still broke and, like,
are they even harvesting it?
74
:Because it is,
it's like gorgeous and like,
75
:they have all this caught,
but they're they're bankrupt.
76
:But it's because, like, are they not like
77
:picking their
78
:corn like, and yeah, it's
79
:about fathers and sons, but it's not like
we don't even see the dad as dad.
80
:We see a dad is a young man,
and only at the end.
81
:which is like a really strange
framing to have a whole film on.
82
:So it's like about that,
but it's also not about that.
83
:When I was a kid, I was a huge Detroit
84
:Tiger fan,
My dad had grown up watching the Tigers.
85
:It's.
86
:He took my brother
and I to, to the games,
87
:and we we watched and listened to it
on the radio all the time.
88
:And I would
I would just go to baseball diamonds
89
:and hang out and wait for games to start
or or or play with my friends.
90
:You know.
91
:I just loved playing it.
92
:I love the way the game looks.
93
:I like baseball diamonds.
I just really like to be around it.
94
:when I was a kid,
I lived and breathed that.
95
:And then after I became interested
in theater, I sort of dropped it.
96
:Like I dropped off.
97
:I think in 1994, I read a book
98
:called October 1964,
99
:I read this book, and it exposed
this really human side to the game.
100
:To me,
that that that was really fun to explore.
101
:And so I just started
reading baseball books
102
:after that and,
and became more enmeshed in the history.
103
:And, and we found the love for the game.
104
:what did you know about the movie
going into Field of Dreams?
105
:Had you seen this movie before?
106
:Like, did you.
107
:I thought I have, I think I have,
I would have seen it when I was little,
108
:and I know I had talked to Cole about it
and I was like,
109
:it's just a really good movie.
110
:Like, I don't remember it,
but I remember that it's very good.
111
:And then I watched it, and every single
second of it was a surprise.
112
:I knew that there were like
these like lines, right?
113
:That got repeated.
114
:Like, if you build it,
115
:they will come or he will come,
Yeah, surprised the whole time.
116
:right? It it's a one line wonder.
117
:The only thing I knew about it
was if you build it, that's it.
118
:They will.
119
:And I knew it incorrectly, because. Yep.
120
:It's. He will come.
121
:If you build it, he will come.
122
:I was looking for experts
to give us context
123
:or background of why
baseball is so important.
124
:I got dozens of very macho man
writing back.
125
:Yeah, crying at their keyboards.
126
:Where they have to speak about
Field of Dreams.
127
:It did.
It had such an impact on the men's.
128
:I think that's all you need to know.
129
:Yeah. No,
130
:Oh, since we're talking names,
131
:could you say the say your full name
that you'd like to be announced as, sure.
132
:Patrick Tate Fleming.
133
:My last name is tape space Fleming.
134
:Because I took my son's mom's last name,
135
:and she took my, And you people are like,
is that your middle name?
136
:Tape?
137
:And I'm like, no,
my middle name is Reagan.
138
:But no.
139
:Like a solid 1980s baby.
140
:Not like Ronald Reagan,
like Reagan from The Exorcist.
141
:Reggie. Yeah. And, from the.
142
:I am Jaclynn and I'm a 1980s baby,
and I'm named after Jaclyn Smith,
143
:the Charlie's
Angel. So there you go. Yeah.
144
:And Cole, who are you named after?
145
:Cole from Days of Thunder. Oh.
146
:Is that true?
147
:There's no way that.
148
:So you made that up to fit in? I did
149
:listen. To the way Cole talks.
150
:His parents did not, did Oh, man,
I thought I, I had it there.
151
:I was like, that was him.
152
:That's not a movie I've ever seen.
153
:But I had the cassette soundtrack.
154
:I totally thought in your email was like
a stage name email with the tape in it.
155
:Like, that was like, whoops.
156
:It does it it yeah, it does
have a real like, this band guy.
157
:Yeah. And convenient. Yeah.
158
:Do you want to have Patrick
read the email?
159
:would, I would like that
because I think hearing it quoted back,
160
:you have a poetic ness about your writing.
161
:Let's see if I can find of hear.
162
:Hey, Cole.
163
:I dove into the podcast
and started listening to the Princess
164
:Bride episode, which is so great.
165
:It got me thinking more deeply about why
Field of Dreams has always hit me so hard,
166
:personally, and I thought I'd share this
little tidbit with you before we talk.
167
:If we end up talking, what's interesting
is that my father's life
168
:kind of mirrors
Moonlight Graham story in a strange way.
169
:My dad was a professional umpire
in the early 70s.
170
:At the time,
he was actually the only umpire in triple
171
:AA who was also teaching
at the umpire school in Florida.
172
:he was really respected and was considered
somebody
173
:who was going to make it
all the way to the majors.
174
:I even have this little booklet
175
:from the school where it says,
Michael will go all the way.
176
:But then his father died
suddenly of a heart attack
177
:and my dad had to make the decision
as a 23 year old, to come back to Iowa
178
:to run the family printing company,
So he never made it to the big leagues.
179
:what is wild
is that all of his contemporaries
180
:and close friends from umpire school
eventually did make it.
181
:He was right there with him,
but life pulled him in another direction.
182
:I think that's probably part of why
Field of Dreams affects me so deeply.
183
:there's something so beautiful
and heartbreaking about unfinished dreams
184
:and the way life
ask people to sacrifice for one another.
185
:And now that my dad has passed away,
the Little League fields
186
:I grew up
playing on are actually named after him.
187
:So I think about him all the time
when I'm out there coaching kids.
188
:It's funny because the older I get,
189
:the more Field of Dreams
feels less like a movie about baseball
190
:and more like a movie about fathers
and sacrifice, legacy
191
:and how dreams somehow continue
through other people,
192
:even if they don't happen
exactly the way you imagine them.
193
:Anyway,
I just wanted to share that with you
194
:because your podcast
really got me thinking about all it again.
195
:Talks in.
196
:When we're each of us in
197
:and when we're each of us out
for Field of Dreams.
198
:I was in at the at the exposition.
199
:it did the thing that I like,
like I felt like it wrote
200
:the first three episodes,
threw them out, and then, like,
201
:made it into,
like a pretty snappy voiceover montage.
202
:My name is Ray Kinsella. I'm 36 years old.
203
:I love my family, I love baseball,
and I'm about to become a farmer.
204
:Everything felt so cozy, like it was.
205
:I don't want to be a farmer.
206
:I don't, I don't want a man
who's like off on his own dream.
207
:Like what a nightmare to be his wife.
208
:But honestly I was like, I want to crawl
in this movie and live in it.
209
:It felt like, what a great relationship.
210
:Even though I was also
like, God, she is patient.
211
:Like, yeah.
212
:I could never be.
213
:But it was.
214
:It's so cozy.
215
:I when I was in,
216
:when Amy Madigan, I gave him permission
217
:to build the baseball field
and also seemed like she meant it.
218
:Yeah. It was.
219
:I appreciate
I appreciated the dynamic that they had,
220
:even though also like, good God.
221
:Robbie, what's the number
222
:one thing that you want to say
about Field of Dreams?
223
:Okay. So happy.
224
:What I love most about it
is that it moves at the speed of baseball,
225
:which and and the more I watch it,
the more I appreciate
226
:how it transcends the parts of it
that don't work
227
:and achieves
something much bigger and more poetic.
228
:that moves at the speed of baseball.
229
:I like I it really is like
230
:that conversation that we had with Patrick
about this really hit home about
231
:You know, I think that you never.
232
:The second you have no idea
233
:what it feels like until you've lost,
234
:a father or, a mother or,
235
:sibling or, you know,
or even a partner or whatever. And,
236
:and just having.
237
:I think most people would give it all up
to have the, the one more day,
238
:right, with the, with the one that they,
239
:you know, loved the most or whatever.
240
:And I think this movie
does such a good job
241
:of fulfilling that fantasy
or fulfilling that, that dream.
242
:it's a, it's a thing that
243
:that we passed down
from generation to generation.
244
:And this movie really puts it
in perspective of,
245
:of connecting, to your dad
246
:and getting that one more,
that one more time just to play catch
247
:or to us go the distance with them
248
:and just
and just see the world through their eyes.
249
:My father's name was John Kinsella.
250
:suppose dad did the best
he could instead of Mother Goose.
251
:I was put to bed at night.
252
:The stories of Babe Ruth, Lou Gehrig,
and the great Shoeless Joe Jackson.
253
:Dad was a Yankees fan,
and so of course, I rooted for Brooklyn.
254
:But in 58, the Dodgers moved away.
255
:So we had to find other things
to fight about.
256
:We did, and when it came time to go to
257
:I think the thing about baseball
that is so unique
258
:is that it's generational,
you know, that it's passed down
259
:Right, right.
260
:Sure.
261
:Correct.
262
:Right.
263
:So how I came to love
the game was basically
264
:how I came to love
the game was basically through my father.
265
:my father and I shared a special bond
with baseball.
266
:And my late
father also had worked in television.
267
:My dad was a sales guy.
268
:He wasn't on the air, but as a little boy,
he would bring me
269
:to the local CBS station
in Hartford, Connecticut, where I grew up,
270
:and I got to meet the sportscasters.
271
:So sports, particularly baseball,
baseball has always been
272
:my favorite sport
because of my relationship with my father.
273
:my late father died in in 1999, and
274
:a year before
275
:that I was about 26 years old,
living in San Diego.
276
:I was working at a radio station
part time, I'm not rich, but I'm not poor.
277
:I think I'm going to go see
as many ballparks as I can.
278
:And you know what?
We went on that first trip.
279
:If you build it,
280
:they will come.
281
:I went to the Field of Dreams
with my brother.
282
:In fact, I have a picture of me
and my brother when I went to the field,
283
:the dream site, you could just pick up
a bat and play, and my brother and I did.
284
:I got a picture even on my website, Mr.
285
:Sports travel.com.
286
:Now, since then, I ended up
sort of in my dad's memory,
287
:finishing all 30 ballparks
288
:about six months
after he died at the end of the 99 season,
289
:it meant a lot to me to do it because on
the 98 trip, I was calling my dad.
290
:I didn't have a cell phone,
so I was calling my dad from the hotels.
291
:Dad, I'm in Minneapolis.
292
:And then from there at springboard, where
I've seen baseball all over the world.
293
:So that's kind of how I got started.
294
:there were times when we would go
to a Minnesota Twins baseball game
295
:and my dad would call
his old umpire buddies and be like, hey,
296
:we're coming to the game.
297
:You know, it'd be fun to see you
and the and the professional umpires
298
:would invite us down to the umpire room
299
:and, you know, whatever,
my older sister would be there.
300
:So they would be like,
are you proper or, you know, like.
301
:And they would be like,
I mean, they're like boxer shorts
302
:and they'd be rubbing the baseballs
before the game because they rub
303
:like 80 some baseballs
for every game with Mississippi mud.
304
:It's like mud
305
:that only comes from this little area
right off the Mississippi River.
306
:And they rub baseballs.
307
:And they rub baseballs.
308
:And it was great to hear these guys
telling old stories about my dad.
309
:Oh, your dad,
310
:and,
when when he got into that umpire room
311
:with them, they all, like, snapped back
and it was like he was one of them.
312
:He wasn't like the data
for who runs this printing company.
313
:And of course he was.
314
:He lit up, you know, it was like
he was with his his buds or you know, it's
315
:probably like you like how my son sees me
when I get together with my old band
316
:mates or something, you know, it's like,
oh, yeah, you have that pact,
317
:Now that I think about this trip,
I remember, you know,
318
:they're not even having a phone.
319
:that it was pure,
kind of like the movie Field of Dreams.
320
:So I had a great time Today
I look back on all the travels I've done.
321
:I've seen sports and like 176
different countries and territories
322
:around the world.
323
:I still go back to that trip, but I think
324
:the thing about Field of Dreams
that is so unique is that
325
:it's a living,
326
:breathing thing
that you can go to the Field of Dreams
327
:movie site,
which I've been to three separate times.
328
:and it's it's a sense of community.
329
:It is an experience.
330
:And that's what's different
331
:than other most other movies
where you don't have a movie.
332
:And then it's it's still a living,
breathing organism.
333
:Well, but the difference
334
:So your experience
is actually quite normal
335
:because many baseball fans have that
aspiration of wanting to see all 30 parks.
336
:And most of them, if you ask them
how many went to I, about six.
337
:And, so you did pretty good.
338
:And you're not even a fan.
339
:I feel like a kid,
340
:honestly, when I go to a baseball game,
even now, to say that you were there.
341
:I've been to the World
Series, have been to All-Star games.
342
:I've been to the World Baseball Classic,
343
:I've been to every baseball
that you can think of,
344
:it's really fun hearing so many people
talk about their love for it.
345
:And then
346
:embracing that.
347
:Cole, what about you?
348
:What's the one thing you want to say
about Field of Dreams?
349
:x and y and Z happens,
350
:and there's no questioning it.
351
:Half of it didn't have any motivation
that in my mind.
352
:But I was like, great,
this is what we're doing.
353
:He's built a stadium.
354
:They're on a road trip. Great.
355
:He's kidnaping a famous off author.
356
:That was fun, right?
357
:And maybe the famous author is a ghost.
358
:Great.
359
:I don't know. But.
360
:There was something serious
I wanted to say to,
361
:Some people have lost parents
without closure,
362
:and that,
363
:I think, importantly, most people
can easily imagine losing a parents,
364
:because, you
365
:know, it's everyone's
going to eventually be lost.
366
:And so I think most people can imagine
losing a parents without closure.
367
:And to see somebody
368
:find a way to have closure
369
:in their.
370
:Is part of what makes people melt.
371
:And closure only exists in fiction.
372
:And that's why we have fiction and that's
373
:why this movie
374
:hit for me personally.
375
:I think you don't
even have to have closure, because I would
376
:I would play catch with my grandpa.
377
:My ghost grandpa,
like every day of the week.
378
:And like, I don't I don't feel like
I don't have closure from his passing,
379
:but I would still,
I think, like we can all relate to
380
:that idea of, like a person we loved
who's no longer here,
381
:gets to live out their happiest moment,
and you get to also be part of it.
382
:Like,
383
:yeah, yeah,
384
:Robby can I
385
:What else did you write down about?
386
:If there this.
387
:I know you've got thoughts.
388
:You've seen it over 40 times.
389
:In your notes.
390
:You took extensive notes.
391
:like I'm a little bit
afraid of myself right now.
392
:You Here's nine innings
393
:worth of Robbie's thoughts
and feelings about Field of
394
:Dreams.
395
:Music carries the opening credits.
396
:Sets the tone for the movie.
397
:Mystical. Magical.
398
:Slightly haunting. Hunting.
399
:Underneath it all.
400
:The opening is about Rey's father
and then gets to himself.
401
:There's never a description of anything
his father did wrong.
402
:They fought because they fought, and
that's how it goes with fathers and sons.
403
:His story mirrors
his father's conventional hearing.
404
:The voice kind of pisses
Rey off. It's a nice reaction.
405
:He doesn't like to be in that position
because he's not that type of person.
406
:Rey, here's the voice three times.
407
:Once in the cornfield,
408
:once while sleeping in his home,
and the third time in the cornfield again.
409
:But the third time
he sees the field and Shoeless Joe,
410
:his daughter, watching Harvey
the next day.
411
:I love the ray, says.
412
:That man is sick. Very sick.
413
:The home is chaotic and lived in.
414
:The more he thinks about building
the field, the more into baseball he gets.
415
:He's closer to his father's world
and closer to his father.
416
:Any questions whether he should do
this, build this field.
417
:And Ray says he's
afraid of turning into his father.
418
:He wonders about his father as a person.
419
:He's afraid of turning into
this vision of his father.
420
:He's beginning
to understand that his father is a person,
421
:and it becomes supportive
of the idea of building the field.
422
:She's pragmatic,
but understands the need for spontaneity.
423
:Once he starts building the field,
424
:he starts to share the experience
with his daughter.
425
:He's becoming the best parts
of his father.
426
:It's exposition, but it's also bonding.
427
:The best type of exposition.
428
:Once the field is finished,
him and Annie picnic on it
429
:and raise smiles
at the thought of his father.
430
:I have just created something
totally illogical.
431
:He's proud of himself.
432
:Impressed. He's not dwelling on the fact
that Shoeless Joe isn't there yet.
433
:He's just reveling in the accomplishment.
434
:He spends the winter waiting.
435
:Kind of like baseball fans wait all winter
for the new season to start.
436
:Pitchers and catchers
fidget pitchers and catchers.
437
:Pitchers
and catchers, pitchers and catchers.
438
:I just love pitchers
and pitchers and catchers.
439
:I just love pitchers and catchers.
440
:That's totally me.
441
:I love.
442
:I cannot wait for pitchers and catchers
443
:just when they're realizing the
444
:the cost of the field to their finances.
445
:She has a history of beers,
and they know they have to keep it.
446
:First scene with Shoeless Joe
that they don't talk for a while, but nod.
447
:Music builds the mystery
for both Ray and Shoeless Joe.
448
:They can't believe this is happening.
Taking it slowly.
449
:Ray's smiling
when Joe asks him if he can pitch.
450
:I can definitely relate to that smile.
451
:It'd be amazing to pitch and play
with the hero.
452
:Joe Lightning Ray's
curve and Ray smiles playful.
453
:They enjoy the same parts of the game.
What's with the lights? Owners.
454
:Some parts of the game never change.
455
:When any invites Joe inside, Joe says,
I don't think I can.
456
:Introduces a boundary to the dream
that will later come back.
457
:Moonlight
Graham is the only one to cross it.
458
:We're keeping this field.
459
:You bet your ass we are.
460
:And his brother Mark immediately squashes
the dream.
461
:He's going to lose the farm. Mark actually
has a pretty good understanding of Ray.
462
:You never liked Iowa?
Not exactly true, but not exactly wrong.
463
:Mark is trying to help.
He cares about his sister.
464
:But he's a villain. The other white Sox
come out to play.
465
:Same fan, same grievances. Oh, yeah.
At least I got muscles.
466
:At most you got muscles.
They swear in front of Karen.
467
:Karen says it's all right.
468
:We find out that not everyone can see
them.
469
:Annie calls Ray into dinner,
and the ballplayers make fun of him.
470
:I'm noting I'm melting.
471
:There are a lot of people
at this PTA meeting.
472
:It may be backward,
but it's well attended.
473
:Camera shakes a bit when the woman
is talking about the Terrence Mann book
474
:being smut.
475
:You know,
I stopped writing books, don't you?
476
:Because he masturbates.
477
:Why did they leave the meeting?
478
:Ray realizes
he has to ease Terence's man man's pain.
479
:And to do that, he needs to go to Boston.
480
:And is the one torn
between magic and reality
481
:until she realizes
they are having the same dream.
482
:And then she's back in the magic
483
:Ray, coming in with his hand in his
pocket, pretending it's a gun. Is amazing.
484
:The way this scene plays out is fantastic.
485
:Kevin Costner plays it straight,
486
:and Terry's response
to him, the softening to Ray makes sense.
487
:No, I mean, what do you want?
Shows him the concession stand.
488
:Oh, talking of beer.
489
:Terry admires Ray's passion.
490
:Says he used to feel that way,
but doesn't anymore.
491
:Ray, refusing to involve Terry anymore,
convinces Terry to come clean.
492
:Road trip music.
493
:Ray goes for a walk and finds himself
in:
494
:Burt Lancaster. What a face!
495
:The camera finds him at a distance
and then swoops in on him. Great entrance.
496
:It was like coming
this close to your dreams
497
:and watching it brush past
you like a stranger in the crowd.
498
:His dream was to bat once in the major
leagues.
499
:Ray would go that far to see this through.
Doc Graham walked.
500
:He's at peace with his life
in a way that Ray isn't his younger self.
501
:So we'll take that journey.
502
:It's not my fault
you wouldn't play catch with your father.
503
:Terry's face when he sees and meets
everyone is amazing.
504
:He's like a kid. He's bent over and
flabbergasted when he shakes Joe's hand.
505
:Hey, how about a warning? Sure, kid.
Watch out! You don't get killed.
506
:The look between Graham and Ray. Mutually
grateful.
507
:Terry gets more childlike
as the movie progresses,
508
:and he finds the thing he had a hard time
believing is real.
509
:When Karen says people will come and buy
a ticket, everyone
510
:but Mark believes her
because they have bought into the magic.
511
:The people will come.
512
:Ray is not my favorite speech,
but it makes sense why it's there.
513
:It continues with the magic and explains
why Ray refuses to sign.
514
:Ray genuinely feels bad
that Doc Graham can't go back.
515
:Mark finally sees the ballplayers
and says they can't sell the farm.
516
:You lied to me.
517
:You said your finger was a gun.
518
:Ray's father comes out of nowhere.
519
:He wasn't there before, and now he is.
520
:Ray introduces him to his family,
which he mentioned earlier
521
:he never got a chance to do.
522
:Neither knows how to act with the other.
523
:There's so much. Fun.
524
:There's so much to say.
525
:And neither knows how to say it.
526
:They're sharing little moments,
527
:and they're about to hold off.
528
:They're sharing little moments,
529
:and they're about to hold off
on expressing it until.
530
:Dad, do you want to have a catch?
531
:Oh my God.
532
:It's so fucking beautiful.
533
:It really is.
534
:That was a lot.
535
:Robby's got feelings.
536
:That was about the.
537
:Robbie, that was beautiful.
538
:Thank you.
539
:That was, that was unexpected.
540
:what exactly made you burst into tears?
541
:It was picturing them.
542
:there's this idea that there are
a bunch of ghosts in the field playing
543
:baseball, and, and, and they all have
544
:the memories of, of their full lives,
545
:when Ray's father finally comes, it
546
:there's not like, an overt recognition of
547
:father and son looking at
548
:each other like it's very,
like I see in Kevin Costner.
549
:Oh, my God, it's my dad.
550
:But I don't see.
551
:And John, his father, oh,
my God, it's my son in the same way.
552
:It's all about trying
to find their way into
553
:Of recognize each other as father and son.
554
:And the build up to
that is is is pretty impressive.
555
:And I've never really understood
if my response to
556
:it has been their acting
or my knowledge of what's happening.
557
:I love that breaking down of walls.
558
:And that's very moving to me.
559
:That's incredibly moving to me.
560
:When two people don't know how to
talk to each other and then find something
561
:that they can do together,
that shows how much they love each other
562
:and how much has been referenced
before, you know, like, that was the
563
:that was the basis of their breakup.
564
:You know, it's very earned.
565
:Yeah, yeah.
566
:When he said he is beginning to understand
that his father is a person,
567
:Because one day, Connor
will see you as more than just dad.
568
:Yeah, that's such a that's such
569
:a big part of growing up.
570
:Realizing your parents are people is.
571
:Like, just realizing that you're. Human.
572
:this is part of what it is to be
a human being, like, you are a child,
573
:and then you realize your parents part,
a part of growing up is just realizing
574
:that your parents are not like mommy
and daddy, but like they're their own
575
:people who are dealing with their own,
you know, are dealing with their own shit.
576
:Because it's funny that you recreated
a similar situation, but like, in your own
577
:way, like that, like you and your dad
have a lot of parallels him as an umpire.
578
:And in Europe as like an indie rocker.
579
:it is very similar, and I've never
really thought about that parallel at all,
580
:other than being young and broken,
you know.
581
:Having a dream.
582
:Yeah, but but in, in reality,
you know, it's kind of beautiful
583
:that like most people in their retirement
would just want to do
584
:the things like travel
and do the things that they love to do.
585
:And so as, like, whatever a 30 year old,
I was getting to travel the country and
586
:play music every night that is like,
587
:wow, I'd rather do that
at 30 than 70, right?
588
:And my dad got to go
and, watch a baseball game
589
:and travel with his friends
when he was 25.
590
:Right. It's really cool.
591
:And so that he never got to
592
:have those retirement years
because he worked until the day he died.
593
:He did get to have what some people might
594
:consider the most incredible retirement.
595
:You got to watch a baseball game
every day.
596
:You got to be a part of it,
597
:and you got to travel
and you got to do it with his friends.
598
:That sounds pretty incredible.
599
:much like baseball.
600
:It's sort of like if I try to tell you
what baseball is about, you can't.
601
:But you can talk about the moment
and the things that they come together
602
:and like the pace and the slowness
and the experience.
603
:But it's like, let it be and like,
let the experience be what it is.
604
:call it makes me appreciate
what you had to say about it because like,
605
:it is just presenting itself and
you either are going to accept it or not.
606
:And like, I hadn't really thought
about the cars at the end coming like,
607
:they're just all coming all of a sudden
and you're like, how did they know?
608
:You know?
609
:And you're like, well, okay,
I guess because the movie said so.
610
:Yeah. It's like,
611
:right.
612
:Because you give a speech which I don't
particularly like, or particularly great.
613
:But not great, not well written.
614
:But you said it was going to happen.
So okay, here we go.
615
:A very wholesome thing
about the cars is that
616
:those are actual Iowans who,
617
:heard a call out on the radio.
618
:X, Y, and Z time.
619
:We need to, I'm on this exact route.
620
:So, please, 5 p.m.
621
:Thursday.
622
:Wow. Please, everybody in Iowa drive up.
623
:That's so cool.
624
:It was such a beautiful shot.
625
:It looked real.
626
:So I love that I love that it wasn't.
627
:I love that, and I could imagine, like,
628
:being in the theater and being like,
I wonder which cars us.
629
:Right?
630
:Yeah.
631
:So, so another another part of
632
:that is they they didn't have
enough cars so they had them
633
:alternate between their brights and their
634
:and their regular
so that it looked like the,
635
:their bright lights
and the regular lights.
636
:So they were flickering their lights.
637
:So it looked like there were more of them.
638
:Or it did have a funny twinkle to it.
639
:But yeah.
640
:Normal lights don't have.
641
:did you say the phrase toxic masculinity?
642
:Jaclynn?
643
:Probably at some point today.
644
:Not in this film.
645
:there's a running joke, probably
in a lot of people's circles about
646
:things, especially in movies,
647
:things that men will do to avoid
going to therapy.
648
:Yeah.
649
:A classic example.
650
:A for ghosts?
651
:for ghosts?
652
:For Shoeless Joe Jackson?
653
:For Shoeless Joe Jackson?
654
:Those those are.
655
:For the white ghost ways
656
:For the white ghost ways to.
657
:It's it though.
658
:Is it like, in reality. Right.
659
:That would be pretty bonkers.
660
:Hey, guys.
661
:Just want you to know I'm dating this guy.
662
:And don't worry.
663
:I don't know,
he left to go kidnap my favorite writer.
664
:when I have this big moment and I, like,
have this political beautiful moment.
665
:He didn't hear it at all.
666
:He was too busy realizing
he was going to kidnap my favorite writer.
667
:And he's gone now.
668
:But, guys,
I think it's going to really work out.
669
:He took all of my savings.
670
:And he's building
a baseball field in a cornfield.
671
:But I think it's okay, guys.
672
:I think it's love.
673
:Okay.
674
:All of that.
675
:You said it was wholesome.
676
:All of it.
677
:To get from
678
:you with your dead father.
679
:I will say,
680
:Kevin Costner gets away with a lot
for being so handsome in this film.
681
:Yeah.
682
:He's so good looking. My goodness.
683
:he gets away with a lot
because he's just sort of moving
684
:forward, he's
not thinking about this, Yeah.
685
:Like,
there's a lot of people who would be like,
686
:I'm going to build a baseball thing.
687
:And then they never get.
688
:He built a beautiful baseball field.
689
:He did manage to kidnap an author.
690
:Yeah, yeah, yeah.
691
:They did go to a game like the manager
leaves the things he sets out to do.
692
:And that is impressive.
693
:Yeah. it's very much a baby boomer movie.
694
:He's, full disclosure,
baby boomers as a generation drive me nuts
695
:because we're so crazy, you know,
because like,
696
:my understanding of them is
that they're so incredibly selfish.
697
:I didn't find the masculinity toxic,
but I found it very on point, you know?
698
:Yeah. It's very of a time.
699
:It's like you just you can you can see
the birthplace of where we've ended up.
700
:Yeah. Yeah. Right.
This is like every, like.
701
:Oh at all costs, follow your dreams and
like and that's how we got to:
702
:Yeah yeah
yeah. Yeah. Exactly right. Yeah.
703
:does things
slowly happen, and then all of a sudden
704
:we're going to Minnesota and then we're
driving, we're driving, we're driving,
705
:we're talking about this thing,
and then suddenly we see somebody
706
:hitchhiking and oh my God, it's well,
you know, like like
707
:they're just these bursts of of things
that move the story forward.
708
:And I just really enjoy that.
709
:But every single one of these things
is a choice he chooses to make.
710
:He chooses to drive to Boston
to take Terrence Man to a baseball game.
711
:He chooses to build this baseball field.
712
:He chooses and it was all
because he didn't make the simple choice
713
:as a, as a kid to just go out
and play catch with his dad.
714
:come on, Ray.
715
:It's the bottom of the ninth.
716
:Bases loaded.
717
:The crowd can feel it,
718
:and they've got five minutes till dinner.
719
:When you were doing the drive
720
:from the East coast back to Iowa
721
:how much did that help you
722
:picture what Terance
Mann and Ray would have been feeling
723
:in that drive from Boston back to Iowa?
724
:Yeah, that's that's so nice.
725
:That's a such a cool scene in that movie.
726
:Because of course, you know,
the magic of film.
727
:You can drive from Iowa to Boston
just like that.
728
:And I've done New York City too, Iowa,
729
:Sibley, Iowa, after a CMJ show.
730
:And I know from the Lower East
Side of Manhattan, too, Iowa,
731
:takes 26 hours and moves
and you lose an hour.
732
:This country is so big.
733
:And we left as a band, you know, the Lower
734
:East Side of Manhattan
at like,:
735
:but it took 26 hours straight.
736
:So from Iowa to Boston,
it would be very similar, probably 25 hour
737
:drive The amount of time that Terence man
738
:and Ray had to connect on everything from
739
:writing,
740
:protesting in the 60s,
being a father, baseball like,
741
:because you can tell by the time
that that they get back to Iowa
742
:that they feel like
they've been lifelong friends
743
:and that they've gone
through something together.
744
:And I feel like that was always
the thing about being in a band or,
745
:or doing some sort of epic trip that
you've been through something together.
746
:You know, I always, I always tell people
who are starting a relationship
747
:like a couple that maybe you shouldn't
go on vacation together.
748
:You, because you're either going to be
you're either going to fall in love
749
:with each other or that the vacation's
going to be the the end of it,
750
:you know,
because you have to it's it's it's
751
:it's it's
an experience to travel with somebody.
752
:But yeah, you don't get to see
all those conversations they had.
753
:It's just it just shows them in the night
driving in the rain.
754
:And they're just having kind
of a very mundane conversation about dads.
755
:And then all of a sudden there's
moonlight Graham, you know,
756
:just let's pick up this hitchhiker,
because it would be good
757
:to have another person in this car
to carry on a conversation.
758
:Yeah.
759
:I really like how they show don't tell.
760
:And that, like, they don't
there's not a lot of exposition of like,
761
:wow, we're having such a bonding
experience over 26 hours.
762
:You just see the change
in their relationship
763
:from when they started, right?
764
:The fake gun and like the kidnaping
to like this familiarity and friendship
765
:that has clearly grown out of them
spending so much time together,
766
:I thought that that was it's
just really it's shown.
767
:Just as a side note, in the book,
the author is J.D.
768
:Salinger, who he goes to kidnap.
769
:Oh, interesting.
770
:Yeah. Yeah.
771
:But yeah I guess I didn't occur to me
772
:that James Earl Jones
in this Terrence is was a ghost.
773
:I can't believe I missed that. I feel very
774
:ignorant.
775
:Is that the.
776
:Oh, I didn't think that at all. Okay.
777
:I didn't think that Cole said it.
778
:Okay. I didn't think that Cole said it.
779
:Oh, okay.
780
:They gave it a wildly liberal read.
781
:Okay.
782
:But I would actually
783
:say to other people he became a ghost.
784
:Yeah, that's the thing.
785
:He did die, right?
786
:Like they sent him into the cornfield
to die, right?
787
:No, no, just to report.
788
:I think he's going to come back.
789
:Robbie, that's so cute. Did.
790
:Do you have a lot of animals
go upstate to a farm?
791
:Every one of them on.
792
:So. No, but I think.
793
:I'm gonna.
794
:Come back. Now.
795
:I think. I think he's coming back.
796
:I think he's coming back.
797
:Nice.
798
:You think. He's coming. Back?
799
:No. That man is dead. And.
800
:No, that was that was him going
to become a ghost.
801
:I believe the kids and Willy
Wonka did die.
802
:I do not believe.
803
:That, Terence.
804
:Man, I don't believe that
he died in this movie.
805
:you both think he died.
806
:You both think he went into the field
and just.
807
:Yeah, it's the ghost field, ma'am.
808
:Oh, God. That's.
809
:What do you think happens back there?
810
:You think they're all just actually,
811
:like, in there,
like changing clothes and stuff?
812
:No, I, I, I just feel like he's
he's gone back there.
813
:He's, he's, he's
going to look around and experience that.
814
:And you to come back and write about it.
815
:Where do you think he's gone? Back there.
816
:Become a ghost.
817
:And then he's going to come back a man.
818
:Yeah.
819
:Because they, like, disappear
into the corn.
820
:Yeah. Because they, like,
disappear into the corn.
821
:No, I think I know I don't think he
he becomes a ghost.
822
:I think he, I think he enters
the ghost realm and then he just returns.
823
:Well.
824
:Jack, are you looking at me like, oh,
that's adorable.
825
:That's really.
826
:It's very sweet.
827
:I'm not going to kill that bubble.
828
:He does.
829
:He he lives.
830
:He's fine.
831
:Well then
832
:when you said with each revelation
someone says
833
:this is really interesting,
834
:all caps very midwestern.
835
:Yeah.
836
:But it is this movie is so Midwestern.
837
:You're Midwestern.
838
:I it's just I mean I do that all the time
and like, oh, cool.
839
:You know, it's like.
840
:Know like something happens and it's like,
Oh that's interesting.
841
:That's a really cool thing.
842
:You know?
843
:I just it's the.
844
:Blind support
is that it's Midwestern. Just saying.
845
:Yeah, I like it.
846
:I know it's a very Midwestern response
like, oh, that's great.
847
:That's really cool.
848
:And not yeah, I do that a lot.
849
:I do that a lot.
850
:like I would imagine that
851
:like a more New York response or an East
Coast response would be like an eyeroll.
852
:Or, or fuck.
853
:Yeah. Yeah. I once was at a party.
854
:Like, I don't consider Colorado a midwest,
but it's also not not Midwest.
855
:And I was at a party once,
and this woman told me that,
856
:her whole job was, like,
scooping eyeballs out of corpses
857
:and, like, for research or, you know,
but that's like, that's her whole job.
858
:And, like,
very similarly, I just was like, oh, cool.
859
:Like, no,
860
:better like you, you would never be like,
that's fucking crazy.
861
:Like you'd just be like,
oh, cool. Wow. That's really interesting.
862
:Yeah.
863
:Like, it's like, so polite
and just supportive and, like, would,
864
:I think,
865
:I mean it's been decades
since I've had that moment
866
:and I think about it probably
like every week and I'm always like
867
:I have so many follow up questions and
I honestly have I have a lot of reaction.
868
:But I just was like, oh, cool.
869
:Totally normal. Yeah, totally.
870
:I work at Starbucks
and you scoop eyeballs.
871
:Like.
872
:You're building afield
because you heard voices.
873
:Yeah. Cool. Yeah, sure.
874
:Let's eat some green bean casserole.
875
:We're all just going to drive
to this field because there's ghost
876
:playing baseball.
877
:Sounds it is Midwestern,
but I don't know what it makes it.
878
:Midwestern.
879
:It's like poor, you know what?
880
:What? Do you see it?
881
:Yeah. Yeah, exactly.
882
:Yeah.
883
:the mystique about it
is, is it's generational.
884
:And I also think it's the father son bond
885
:you know, that's why I love the game
and that's why it's my favorite sport.
886
:And I've seen more than 100 sports
across the world.
887
:So it's it's saying something
that that baseball is my favorite sport.
888
:I think, because of the uniqueness of it,
it's just so different from the other
889
:sports, the game of failure, Well,
I mean, in baseball,
890
:you know, if if a guy Well,
I mean, in baseball, you know, if
891
:if a guy fails seven out of ten times
892
:as a hitter, he goes to the Hall of Fame.
893
:Well in baseball
you really have to have the mentality of,
894
:geez, I may only get one hit this game
if I get two hits in this game.
895
:Holy cow, I'm kicking it out of the park.
896
:So on average you get about four at bats,
897
:and if you get one hit out of every
four, you've had a great day.
898
:Oh yeah
I mean there is a guy into the movie.
899
:Absolutely absolutely.
900
:All the, all the obstacles that
901
:and then I think that's what baseball fans
and even the general public resonate
902
:with, you know, and that's why it's it's
a movie that has been so long lasting
903
:and it gets someone to watch it
on his birthday for 35.
904
:Well I think yes
I think that's one of the thing.
905
:Yeah.
906
:I think that's one of the things
907
:that is unique to baseball,
especially for a younger player,
908
:So in the movie,
they see the potential in Archie,
909
:and they see the
they see the fire in his eyes
910
:and his love of the game,
which they all share.
911
:And so in baseball and of course,
it was a movie, you know, even
912
:the slightest bit of a contribution can be
you could be considered the hero.
913
:it was written in the gospel
that he was going to go the distance
914
:As I say, was so young to you.
915
:There's like probably
916
:that false assumption of there's
time, it's inevitable and there's time.
917
:Yeah.
918
:And that and that it says that
and that it says Mike will go all the way.
919
:a year after he passed away of,
920
:you know, they renamed the Little League
baseball field.
921
:So that I grew up playing on, you know,
Mike Fleming Fields.
922
:you know, it's it's not Fenway Park
or Wrigley Field or whatever, like.
923
:No, it's Mike Fleming Field. Yes, sir.
924
:When something goes on there,
goes on that field, you know,
925
:or they're, a seven year old kid
and they're going to go play their first
926
:baseball game.
927
:And they look at that and they're like,
well, I wonder who that guy was.
928
:You know, it's why
why are these fields named after him?
929
:And like and it's cool because they have a
like a picture of him there like a,
930
:like a plaque, and that I grew up
playing on it and coaching on it.
931
:And, it is our probably family's
little field of dreams in a sense,
932
:and you have to remember that
933
:in this in this film,
934
:Ray says it.
935
:Ray says one of the reasons
that he stopped playing catch with his dad
936
:is because he read this person's book
so that he.
937
:That was so funny influence of a father
to this, to this writer.
938
:He didn't know what this idolizing
of a human being that you don't know.
939
:But their ideals connect with you
more than even your closest
940
:relative.
941
:And then Terence,
942
:man, when they're in the van,
943
:he says, you see, that's the sort of crap
people are always laying on me.
944
:It's not my fault
you wouldn't play catch with your father.
